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 <title>cherchezcreez.org/ - Littérature générale</title>
 <link>http://cherchezcreez.org/champs-dint%C3%A9r%C3%AAt/litt%C3%A9rature-g%C3%A9n%C3%A9rale</link>
 <description></description>
 <language>fr</language>
<item>
 <title>René Lapierre</title>
 <link>http://cherchezcreez.org/individu/ren%C3%A9-lapierre</link>
 <description>&lt;div class=&quot;field field-name-title-field field-type-text field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;René Lapierre&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-image field-type-image field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;img typeof=&quot;foaf:Image&quot; src=&quot;http://cherchezcreez.org/sites/recherche-creation.aegirnt2.uqam.ca/files/styles/medium/public/Rene_Lapierre.jpg?itok=oj27wBci&quot; width=&quot;157&quot; height=&quot;220&quot; alt=&quot;&quot; /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-institution field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Institution:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;Université du Québec à Montréal&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-d-partement field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Département:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;Département d&amp;#039;études littéraires&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-statut field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Statut:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;Professeur associé&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;Membre régulier Figura : Centre de recherche sur le texte et l’imaginaire&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;René Lapierre (né en 1953) est un écrivain et professeur québécois. Principalement poète et essayiste, il a publié au cours des 30 dernières années plus d’une vingtaine d’ouvrages, parmi lesquels on compte plusieurs essais sur l’écriture et les théories de la création, la critique sociale et la spectacularisation de la culture1. Il a également publié en périodiques, dans des ouvrages collectifs ou dans les réseaux sociaux un grand nombre de textes d’engagement, notamment dans le contexte récent du Printemps érable.&lt;/p&gt;
&lt;p&gt;Il enseigne depuis 1981 la littérature (création littéraire, théorie des formes, éthique, esthétique et théories de la création) au département d’Études littéraires de l&#039;Université du Québec à Montréal, où il a eu l’occasion de travailler avec un très grand nombre de poètes marquants de la relève québécoise.&lt;/p&gt;
&lt;p&gt;Source : Wikipédia&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-champs-interet field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Champs d&amp;#039;intérêt:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/champs-dint%C3%A9r%C3%AAt/esth%C3%A9tique-et-th%C3%A9ories-de-la-cr%C3%A9ation&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Esthétique et théories de la création&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/champs-dint%C3%A9r%C3%AAt/litt%C3%A9rature-g%C3%A9n%C3%A9rale&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Littérature générale&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/champs-dint%C3%A9r%C3%AAt/po%C3%A9sie-contemporaine&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Poésie contemporaine&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/champs-dint%C3%A9r%C3%AAt/th%C3%A9orie-et-histoire-des-formes&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Théorie et histoire des formes&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-groupe-unite-recherche field-type-field-collection field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Groupe·s ou unité·s de recherche:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;div class=&quot;entity entity-field-collection-item field-collection-item-field-groupe-unite-recherche clearfix&quot; about=&quot;/field-collection/field-groupe-unite-recherche/38&quot; typeof=&quot;&quot;&gt;
  &lt;div class=&quot;content&quot;&gt;
    &lt;div class=&quot;field field-name-field-titre field-type-text field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;Interligne&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-ressources field-type-link-field field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;http://www.interligne.uqam.ca/&quot; target=&quot;_blank&quot;&gt;Interligne&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;  &lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;div class=&quot;entity entity-field-collection-item field-collection-item-field-groupe-unite-recherche clearfix&quot; about=&quot;/field-collection/field-groupe-unite-recherche/58&quot; typeof=&quot;&quot;&gt;
  &lt;div class=&quot;content&quot;&gt;
    &lt;div class=&quot;field field-name-field-titre field-type-text field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;OIC : L’observatoire de l’imaginaire contemporain – une plate-forme encyclopédique en ligne consacrée à la compréhension de l’imaginaire contemporain&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-ressources field-type-link-field field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;http://oic.uqam.ca/&quot; target=&quot;_blank&quot;&gt;OIC&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;  &lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-publication field-type-entityreference field-label-above&quot;&gt;
      &lt;div class=&quot;field-label&quot;&gt;Publication·s ou oeuvre·s:&amp;nbsp;&lt;/div&gt;
    &lt;div class=&quot;container-fluid field-items&quot;&gt;
                                &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-0&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/la-carte-des-feux&quot;&gt;La carte des feux&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-1&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/pour-les-d%C3%A9sesp%C3%A9r%C3%A9s-seulement&quot;&gt;Pour les désespérés seulement&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-2&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/renversements&quot;&gt;Renversements&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-3&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/aim%C3%A9e-soit-la-honte&quot;&gt;Aimée soit la honte&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-4&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/trait%C3%A9-de-physique&quot;&gt;Traité de physique&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-5&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%E2%80%99eau-de-kiev&quot;&gt;L’eau de Kiev&lt;/a&gt;&lt;/div&gt;
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                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-6&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%E2%80%99atelier-vide&quot;&gt;L’Atelier vide&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-7&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/figures-de-l%E2%80%99abandon&quot;&gt;Figures de l’abandon&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-8&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%E2%80%99entretien-du-d%C3%A9sespoir-essai-sur-l%E2%80%99affolement&quot;&gt;L’entretien du désespoir : essai sur l’affolement&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-9&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/piano&quot;&gt;Piano&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-10&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/love-and-sorrow&quot;&gt;Love and sorrow&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-11&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/fais-moi-mal-sarah&quot;&gt;Fais-moi mal, Sarah&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-12&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/viendras-tu-avec-moi&quot;&gt;Viendras-tu avec moi?&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-13&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/dans-l%C3%A9criture&quot;&gt;Dans l&amp;#039;écriture&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-14&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%C3%A0-bas-c%E2%80%99est-d%C3%A9j%C3%A0-demain&quot;&gt;Là-bas c’est déjà demain&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-15&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/effacement&quot;&gt;Effacement&lt;/a&gt;&lt;/div&gt;
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            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-16&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/limaginaire-captif-hubert-aquin&quot;&gt;L&amp;#039;imaginaire captif: Hubert Aquin&lt;/a&gt;&lt;/div&gt;
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                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-17&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/une-encre-s%C3%A9pia&quot;&gt;Une encre sépia&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-18&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%C3%A9t%C3%A9-rebecca&quot;&gt;L&amp;#039;été Rebecca&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-19&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/profil-de-lombre-1976-1981&quot;&gt;Profil de l&amp;#039;ombre: 1976-1981&lt;/a&gt;&lt;/div&gt;
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                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-20&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/comme-des-mannequins&quot;&gt;Comme des mannequins&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                      &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-21&quot;&gt;
        &lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/les-masques-du-r%C3%A9cit-lecture-de-prochain-%C3%A9pisode-de-hubert-aquin&quot;&gt;Les Masques du récit : lecture de Prochain épisode de Hubert Aquin&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
                  &lt;/div&gt; &lt;!-- end-row --&gt;
                                    &lt;div class=&quot;row&quot;&gt;
            &lt;div class=&quot;field-item-wrapper col-md-6 row-delta-22&quot;&gt;
        &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/biblio/%C3%A9crire-lam%C3%A9rique&quot;&gt;Écrire l&amp;#039;Amérique&lt;/a&gt;&lt;/div&gt;
      &lt;/div&gt;
        &lt;/div&gt; &lt;!-- end rw --&gt;  &lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;view view-memoire-these-vs-indivdu view-id-memoire_these_vs_indivdu view-display-id-entity_view_1 view-dom-id-239cf7a1862d77208cba03a799543476&quot;&gt;
        &lt;h2 class=&quot;title&quot;&gt;Supervision de mémoires et thèses&lt;/h2&gt;
    
  
  
      &lt;div class=&quot;view-content&quot;&gt;
        &lt;div class=&quot;views-row views-row-1 views-row-odd views-row-first&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Maude Authier-Pigeon (2017)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/points-de-rupture-suivi-de-prendre-soin&quot;&gt;Points de rupture suivi de Prendre soin&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-2 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Mélanie Landreville (2016)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/foliation-suivi-de-pr%C3%A9sent-de-la-voix&quot;&gt;Foliation suivi de Présent de la voix&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-3 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Catherine Côté (2015)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/outardes-suivi-de-la-fosse-commune&quot;&gt;Outardes suivi de La fosse commune&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-4 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Sarah Brunet (2015)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/%C3%A0-propos-du-ciel-tu-dis-suivi-de-cartographie-des-vivants&quot;&gt;À propos du ciel, tu dis suivi de Cartographie des vivants&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-5 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Laura Fredducci (2014)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/les-arrangements-pr%C3%A9caires-suivi-de-gagner-du-terrain&quot;&gt;Les arrangements précaires suivi de Gagner du terrain&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-6 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Pierre-Philippe Gouin (2014)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/le-fil-suivi-de-journal&quot;&gt;Le fil suivi de Journal&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-7 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Geneviève Nugent (2014)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%C3%A0-o%C3%B9-il-y-des-maisons-suivi-de-voies-de-faits&quot;&gt;Là où il y a des maisons suivi de Voies de faits&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-8 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Laurence Olivier (2014)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/r%C3%A9pertoire-des-villes-disparues-suivi-de-langues-discr%C3%A8tes&quot;&gt;Répertoire des villes disparues suivi de Langues discrètes&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-9 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Alexandre Piché (2012)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/notes-et-propositions-sur-le-verset-fran%C3%A7ais&quot;&gt;Notes et propositions sur le verset français&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-10 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Gabrielle Giasson-Dulude (2012)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/portrait-dhomme-suivi-de-cet-homme-bl%C3%AAme-quon-porte-en-nous-quand-est-de&quot;&gt;Portrait d&amp;#039;homme suivi de Cet homme blême qu&amp;#039;on porte en nous quand on est de la ville&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-11 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Valérie Roberge (2012)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/%C3%A9coutez-moi-suivi-de-%C3%A7a-reste-entre-nous&quot;&gt;Écoutez-moi suivi de Ça reste entre nous&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-12 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Alexie Morin (2011)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/chien-de-fusil-suivi-de-noyau-dur-et-ouvrir-son-c%C5%93ur&quot;&gt;Chien de fusil suivi de Noyau dur et Ouvrir son cœur&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-13 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Christine O&#039;Doherty (2011)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/le-pont-de-l%C3%AEle-suivi-de-ce-qui-trompe-ce-qui-fascine&quot;&gt;Le pont de l&amp;#039;île suivi de Ce qui trompe ce qui fascine&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-14 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Valérie Bourdon (2011)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/stand&quot;&gt;Stand by&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-15 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Sandrine Galand (2011)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/il-%C3%A9tait-encore-possible-de-ne-pas-parler-suivi-de-respirations&quot;&gt;Il était encore possible de ne pas parler suivi de Respirations&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-16 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Jeanne Allard (2011)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/antigone-et-h%C3%A9mon-suivi-de-d%C3%A9finition-de-limitation-comme-solitude&quot;&gt;Antigone et Hémon suivi de Définition de l&amp;#039;imitation comme solitude&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-17 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; François Guerrette (2011)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/des-corps-et-des-continents-suivi-de-incitation-%C3%A0-la-r%C3%A9volte&quot;&gt;Des corps et des continents suivi de Incitation à la révolte&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-18 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Annyck Martin (2010)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/une-grappe-de-lilas-suivi-de-la-crypte-cass%C3%A9e&quot;&gt;Une grappe de lilas suivi de La crypte cassée&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-19 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Laurance Ouellet Tremblay (2010)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/%C3%A9tait-une-b%C3%AAte-suivi-de-territoires&quot;&gt;Était une bête suivi de Territoires&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-20 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Françoise Picard Cloutier (2010)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/autobiographies-suivi-de-les-g%C3%A9nies-de-la-lampe&quot;&gt;Autobiographies suivi de Les génies de la lampe&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-21 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Bernadette Carrier (2009)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/la-mort-dans-son-murmure-suivi-de-fragments-de-la-voix-essai-de&quot;&gt;La mort dans son murmure suivi de Fragments de la voix : essai de composition&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-22 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Julie Tremblay (2009)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/seule-avec-suivi-de-allant-vers&quot;&gt;Seule avec suivi de Allant vers&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-23 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Aimée Verret (2009)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/un-album-de-temps-suivi-de-se-souvenir-des-visages&quot;&gt;Un album de temps suivi de Se souvenir des visages&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-24 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; François Gilbert (2008)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/coma-suivi-de-%C3%A9criture-et-incarnation&quot;&gt;Coma suivi de Écriture et incarnation&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-25 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Danny Plourde (2008)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/cellule-esperanza-suivi-de-terre-astre-nous&quot;&gt;Cellule esperanza suivi de Terre astre-nous&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-26 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Martine Batanian (2007)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/emb%C3%A2cle&quot;&gt;Embâcle&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-27 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Geneviève Blais (2006)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/lincident-se-r%C3%A9p%C3%A8te-suivi-de-cin%C3%A9-roman-obtura&quot;&gt;L&amp;#039;incident se répète suivi de Ciné-roman obtura&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-28 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Véronique Cyr (2006)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/halte-suivi-de-clairi%C3%A8re&quot;&gt;Halte suivi de Clairière&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-29 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Karine Girard (2006)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/mon-cong%C3%A9-de-lam%C3%A9rique-suivi-de-juste-l%C3%A0&quot;&gt;Mon congé de l&amp;#039;Amérique suivi de Juste là&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-30 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Hector Ruiz (2006)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/qui-s%E2%80%99installe-suivi-de-le-quotidien-interrompu&quot;&gt;Qui s’installe ? suivi de Le quotidien interrompu&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-31 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Catherine Elliott-Ledoux (2005)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/le-seuil-et-le-passage-l%C3%A9criture-de-lombre&quot;&gt;Le seuil et le passage : l&amp;#039;écriture de l&amp;#039;ombre&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-32 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Renée Gagnon (2004)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/vacarmes-suivi-de-et-ce-fant%C3%B4me&quot;&gt;Vacarmes suivi de Et ce fantôme&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-33 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Maude Smith Gagnon (2004)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/une-tonne-dair-suivi-de-le-d%C3%A9filement&quot;&gt;Une tonne d&amp;#039;air suivi de Le défilement&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-34 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Dyane Raymond (2003)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/la-marche-en-for%C3%AAt&quot;&gt;La marche en forêt&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-35 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Mylène Slogar (2003)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/carnet-de-danse-suivi-de-ici-debout-%C3%A0-la-fen%C3%AAtre&quot;&gt;Carnet de danse suivi de Ici, debout à la fenêtre&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-36 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Nicole Jaouich (2002)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/la-travers%C3%A9e-de-loubli&quot;&gt;La traversée de l&amp;#039;oubli&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-37 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Sophie-Luce Morin (2002)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/le-souffleur-de-verre-suivi-de-%C3%A9cris-moi-en-bleu&quot;&gt;Le souffleur de verre suivi de Écris-moi en bleu&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-38 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Lucie Bélanger (2001)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/la-terre-suspendue-po%C3%A8mes-suivi-de-tiens&quot;&gt;La terre suspendue, poèmes suivi de Tiens?&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-39 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Karine Hubert (2001)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/je-ne-devrais-pas-voir&quot;&gt;Je ne devrais pas voir&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-40 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Jean-Sébastien Huot (2000)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/le-portrait-crach%C3%A9-de-mon-p%C3%A8re-r%C3%A9cit&quot;&gt;Le portrait craché de mon père : récit&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-41 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Dominique Robert (2000)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/m%C3%A9ditations-pour-po%C3%A8mes-actuels-suivi-dalbums&quot;&gt;Méditations pour poèmes actuels suivi d&amp;#039;Albums&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-42 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Luc Larochelle (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/ada-regardait-vers-nulle-part&quot;&gt;Ada regardait vers nulle part&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-43 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Sylvie Dion (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/je-ne-savais-pas-alors-que-cest-toi-que-jaimerais&quot;&gt;Je ne savais pas alors que c&amp;#039;est toi que j&amp;#039;aimerais&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-44 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Annie Dulong (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/les-jours-blancs-suivi-de-silences&quot;&gt;Les jours blancs suivi de Silences&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-45 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Nathalie Dupont (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/une-feuille-seulement&quot;&gt;Une feuille, seulement&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-46 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Annie Gaudreau (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/vingt-quatre-poses-portraits-de-m%C3%A9moire&quot;&gt;Vingt-quatre poses portraits de mémoire&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-47 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Geneviève Letarte (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/souvent-la-nuit-tu-te-r%C3%A9veilles-suivi-de-le-fil-rouge&quot;&gt;Souvent la nuit tu te réveilles suivi de Le fil rouge&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-48 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Johanne Jarry (1999)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/seuls-ici&quot;&gt;Seuls ici&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-49 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Jean-François Verreault (1998)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/phosph%C3%A8nes-suivi-de-vignettes&quot;&gt;Phosphènes suivi de Vignettes&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-50 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Michelle Allen (1997)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/no-mans-land-accompagn%C3%A9-de-journal-de-djakarta&quot;&gt;No Man&amp;#039;s Land accompagné de Journal de Djakarta&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-51 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Lise Daoust (1997)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/le-fianc%C3%A9-imaginaire-roman-et-dossier-daccompagnement&quot;&gt;Le fiancé imaginaire roman et dossier d&amp;#039;accompagnement&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-52 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Suzanne Lambert (1996)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/tournesol-suivi-de-bo%C3%AEtes&quot;&gt;Tournesol suivi de Boîtes&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-53 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Sylvain Robert (1995)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/au-bout-du-quai&quot;&gt;Au bout du quai&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-54 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Louise Warren (1995)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/noy%C3%A9e-quelques-secondes-suivi-de-interroger-lintensit%C3%A9&quot;&gt;Noyée quelques secondes suivi de Interroger l&amp;#039;intensité&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-55 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Isabelle Miron (1995)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/pass%C3%A9e-sous-silence-suivi-de-le-geste-de-la-forme&quot;&gt;Passée sous silence suivi de Le geste de la forme&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-56 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Patrick Lafontaine (1995)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/lambition-du-vide&quot;&gt;L&amp;#039;ambition du vide&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-57 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Suzanne Lafontaine (1994)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/les-ann%C3%A9es-ormes-ou-la-m%C3%A9moire-des-lisi%C3%A8res&quot;&gt;Les années ormes ou La mémoire des lisières&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-58 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Linda Riffon (1994)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/souvenir-de-mauve&quot;&gt;Souvenir de mauve&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-59 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Dany Tremblay (1994)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/l%C3%A9troit-mus%C3%A9e-des-choses&quot;&gt;L&amp;#039;étroit musée des choses&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-60 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Sonia Grenon (1994)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/prologue-ou-la-mise-en-sc%C3%A8ne-du-r%C3%A9cit&quot;&gt;Prologue ou la mise en scène du récit&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-61 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Claude Hurtubise (1993)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/domicile-involontaire&quot;&gt;Domicile involontaire&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-62 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Pierre Catani (1992)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/vu-et-pas-vu&quot;&gt;Vu et pas vu&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-63 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Paul Bélanger (1992)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/m%C3%A9morial-creux&quot;&gt;Mémorial creux&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-64 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Nicole Richard (1991)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/rupture-au-bord-de-lexistence&quot;&gt;Rupture au bord de l&amp;#039;existence&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-65 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Charles Guilbert (1991)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/les-inquiets&quot;&gt;Les inquiets&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-66 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Jean-Pierre Piché (1988)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/pr%C3%A9cipitations&quot;&gt;Précipitations&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-67 views-row-odd views-row-last&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-biblio-year&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&amp;mdash; Jean Cloutier (1984)&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/r%C3%A9f%C3%A9rence-bibliographique/camus-se-detache&quot;&gt;Camus se detache&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
    &lt;/div&gt;
  
  
  
  
  
  
&lt;/div&gt; &lt;div class=&quot;field field-name-field-ressources field-type-link-field field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Ressource·s:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;http://oic.uqam.ca/fr/profils/lapierre-rene&quot; target=&quot;_blank&quot;&gt;Profil OIC&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Wed, 02 Dec 2015 00:20:03 +0000</pubDate>
 <dc:creator>Marc-André Boisvert</dc:creator>
 <guid isPermaLink="false">286 at http://cherchezcreez.org</guid>
 <comments>http://cherchezcreez.org/individu/ren%C3%A9-lapierre#comments</comments>
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