<?xml version="1.0" encoding="utf-8" ?><rss version="2.0" xml:base="https://nt2.uqam.ca/fr/taxonomy/term/58230/all" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:og="http://ogp.me/ns#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns:sioc="http://rdfs.org/sioc/ns#" xmlns:sioct="http://rdfs.org/sioc/types#" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:xsd="http://www.w3.org/2001/XMLSchema#">
  <channel>
    <title>Tentative d&amp;#039;épuisement</title>
    <link>https://nt2.uqam.ca/fr/taxonomy/term/58230/all</link>
    <description></description>
    <language>fr</language>
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      <item>
    <title>Printing Out the Internet</title>
    <link>https://nt2.uqam.ca/fr/repertoire/printing-out-internet</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;Imprimer tout Internet est-il possible ? Et si l’on essayait ? A sans doute dû se dire le poète et artiste new-yorkais Kenneth Goldsmith.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-individus field-type-node-reference field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Auteur·e·s:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;Deneuville, Allan&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-type-d-oeuvre field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Média:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;Installation&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;view view-repertoire view-id-repertoire view-display-id-entity_view_2 view-dom-id-0e57520d757d7322f4855d85f5d2329d&quot;&gt;
      
  
  
  
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&lt;/div&gt; </description>
     <pubDate>Fri, 24 Apr 2020 17:54:36 +0000</pubDate>
 <dc:creator>Alexandra Martin</dc:creator>
 <guid isPermaLink="false">40593 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>«Célibataires et nus Québec», ou le labyrinthe</title>
    <link>https://nt2.uqam.ca/fr/entree-carnet-recherche/celibataires-et-nus-quebec-ou-le-labyrinthe</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;Cette entrée de carnet se voulait d’abord une analyse préliminaire de l’évolution de la téléréalité québécoise, lieu de l’épuisement d’un quotidien hautement codifié. Je comptais avancer l’hypothèse que l’âge d’or de la téléréalité touchait à sa fin, et que &lt;em&gt;Célibataires et nus&lt;/em&gt;, &lt;em&gt;L’amour dans le pré &lt;/em&gt;et d’autres émissions reposant sur l’ajout de variantes singularisantes au même concept constamment réinterprété représentaient un signe certain de l’épuisement accompli de ce concept.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-item form-type-item&quot;&gt;
  &lt;label&gt;Langue &lt;/label&gt;
 Indéfini
&lt;/div&gt;
</description>
     <pubDate>Wed, 19 Apr 2017 21:31:53 +0000</pubDate>
 <dc:creator>Archiver le présent</dc:creator>
 <guid isPermaLink="false">39454 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>MovieBarcode, la compression de l&#039;image et du temps pour épuiser le répertoire cinématographique</title>
    <link>https://nt2.uqam.ca/fr/entree-carnet-recherche/moviebarcode-la-compression-de-limage-et-du-temps-pour-epuiser-le-repertoire</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;Au fur et à mesure qu&#039;une forme d&#039;art prend de l&#039;ampleur et que des œuvres sont produites, la proportion qu&#039;il est possible d&#039;appréhender pour une seule personne se réduit de plus en plus. Le cinéma n&#039;a encore qu&#039;une petite centaine d&#039;années et pourtant l&#039;&lt;em&gt;Internet Movie Database&lt;/em&gt; comporte déjà plusieurs millions d&#039;entrées. À coup de plusieurs heures par film, c&#039;est une quantité impossible à regarder, même en l&#039;espace d&#039;une vie, et le nombre augmente encore continuellement.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-item form-type-item&quot;&gt;
  &lt;label&gt;Langue &lt;/label&gt;
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</description>
     <pubDate>Fri, 13 Jan 2017 19:58:30 +0000</pubDate>
 <dc:creator>Archiver le présent</dc:creator>
 <guid isPermaLink="false">39044 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Les enjeux mémoriels des poétiques de l&#039;épuisement: une réflexion</title>
    <link>https://nt2.uqam.ca/fr/entree-carnet-recherche/les-enjeux-memoriels-des-poetiques-de-lepuisement-une-reflexion</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;Nous tenterons d’amorcer ici une réflexion sur les enjeux mémoriels que pose l’esthétique littéraire de l’épuisement. En effet, si, intuitivement, l’épuisement littéraire se conçoit comme une esthétique destinée au silence, à l’oubli et à la disparition, il est tout aussi possible de voir en elle la richesse et la pluralité d’une mémoire de la littérature qui s’est façonnée en traversant le 20&lt;sup&gt;e&lt;/sup&gt; siècle.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-item form-type-item&quot;&gt;
  &lt;label&gt;Langue &lt;/label&gt;
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&lt;/div&gt;
</description>
     <pubDate>Wed, 09 Nov 2016 23:12:26 +0000</pubDate>
 <dc:creator>Archiver le présent</dc:creator>
 <guid isPermaLink="false">38875 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Le virus comme figure d’épuisement dans l’œuvre UKI de Shu Lea Cheang</title>
    <link>https://nt2.uqam.ca/fr/entree-carnet-recherche/le-virus-comme-figure-depuisement-dans-loeuvre-uki-de-shu-lea-cheang</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;Nous poursuivons notre réflexion dans le cadre du groupe de recherche Archiver le présent par le biais de l’œuvre transmédiatique de l’artiste Shu Lea Cheang, &lt;em&gt;UKI&lt;/em&gt;. Cette œuvre, que nous pourrions qualifier de «cyberféministe»&lt;span style=&quot;font-size: 13.008px;&quot;&gt;&lt;a class=&quot;see-footnote&quot; id=&quot;footnoteref1_too75oa&quot; title=&quot;Ce mouvement issu de la fin des années 1990 tente d’imaginer une participation active des féministes sur la Toile à l’aube de la démocratisation de l’Internet et de la mondialisation.&amp;lt;/body&amp;gt;&amp;lt;/html&amp;gt;&quot;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-item form-type-item&quot;&gt;
  &lt;label&gt;Langue &lt;/label&gt;
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&lt;/div&gt;
</description>
     <pubDate>Sun, 16 Oct 2016 20:45:28 +0000</pubDate>
 <dc:creator>Gina Cortopassi</dc:creator>
 <guid isPermaLink="false">38635 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Esthétique de la répétition et illusion d&#039;exhaustivité</title>
    <link>https://nt2.uqam.ca/fr/entree-carnet-recherche/esthetique-de-la-repetition-et-illusion-dexhaustivite</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;À chaque rentrée culturelle depuis neuf ans, le centre d&#039;artiste &lt;a href=&quot;https://easternbloc.ca&quot;&gt;&lt;em&gt;Eastern Bloc &lt;/em&gt;&lt;/a&gt;lance le festival &lt;a href=&quot;https://easternbloc.ca/fr/festival-sight-sound/sight-sound-2016&quot;&gt;Sight &amp;amp; Sound&lt;/a&gt;. C&#039;est sous le thème PER CAPITA, succèdant à SCIENCE FACTION (2014) et à HYPERLOCAL (2015), que les artistes canadiens et internationaux de l&#039;édition 2016 sont réunis.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-item form-type-item&quot;&gt;
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</description>
     <pubDate>Thu, 29 Sep 2016 21:51:09 +0000</pubDate>
 <dc:creator>Gina Cortopassi</dc:creator>
 <guid isPermaLink="false">38675 at https://nt2.uqam.ca</guid>
  </item>
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    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Vidéo 1</title>
    <link>https://nt2.uqam.ca/fr/video/network-effect-jonathan-harris-et-greg-hochmuth-video-1</link>
    <description>&lt;div class=&quot;field field-name-field-video-transcodee field-type-video field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;&lt;video id=&quot;video-10658-video&quot; data-setup=&quot;{}&quot; class=&quot;video-js vjs-default-skin&quot; width=&quot;640&quot; height=&quot;360&quot; poster=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/videos/thumbnails/10658/thumbnail-10658-000.jpg&quot; controls=&quot;controls&quot; preload=&quot;auto&quot;&gt;
  &lt;source src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/videos/converted/10658/nt2-16-nf01-2560x1440-network_effect_flv_1467063605.flv&quot; type=&quot;video/flv&quot; /&gt;
  &lt;source src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/videos/converted/10658/nt2-16-nf01-2560x1440-network_effect_mpeg4_1467063607.mp4&quot; type=&quot;video/mp4&quot; /&gt;
  &lt;source src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/videos/converted/10658/nt2-16-nf01-2560x1440-network_effect_webm_1467063607.webm&quot; type=&quot;video/webm&quot; /&gt;
&lt;/video&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
     <pubDate>Mon, 27 Jun 2016 21:40:04 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
 <guid isPermaLink="false">38382 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Network Effect</title>
    <link>https://nt2.uqam.ca/fr/repertoire/network-effect</link>
    <description>&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;&lt;em&gt;Network Effect&lt;/em&gt; s’interroge sur les effets de l’Internet sur l’humanité; autant la manière dont l’Internet peut révéler un sentiment de communauté que sa capacité à influencer, pour le mieu&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-individus field-type-node-reference field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Auteur·e·s:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;Tronca, Lisa&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-type-d-oeuvre field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Média:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;Internet&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;view view-repertoire view-id-repertoire view-display-id-entity_view_2 view-dom-id-f5187b7b28a83eeb859af4d06ad21b0e&quot;&gt;
      
  
  
  
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  &lt;div class=&quot;views-field views-field-field-image&quot;&gt;        &lt;div class=&quot;field-content&quot;&gt;&lt;a href=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/nt2-16-ce08-2560x1440-network_effect.jpg&quot; title=&quot;Network Effect, Jonathan Harris et Greg Hochmuth, Image 8&quot; class=&quot;colorbox&quot; data-colorbox-gallery=&quot;gallery-field_image-AgJVliiMmNE&quot; data-cbox-img-attrs=&quot;{&amp;quot;title&amp;quot;: &amp;quot;&amp;quot;, &amp;quot;alt&amp;quot;: &amp;quot;&amp;quot;}&quot;&gt;&lt;img class=&quot;adaptive-image&quot; typeof=&quot;foaf:Image&quot; src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/styles/repertoire_carousel/adaptive-image/public/nt2-16-ce08-2560x1440-network_effect.jpg?itok=e1Td0oGU&quot; alt=&quot;&quot; title=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;  &lt;/div&gt;  &lt;/li&gt;
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&lt;/div&gt; </description>
     <pubDate>Tue, 21 Jun 2016 21:53:28 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
 <guid isPermaLink="false">38377 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 8</title>
    <link>https://nt2.uqam.ca/fr/images/network-effect-jonathan-harris-et-greg-hochmuth-image-8</link>
    <description>&lt;div class=&quot;field field-name-field-image field-type-image field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;&lt;a href=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/nt2-16-ce08-2560x1440-network_effect.jpg&quot; title=&quot;Network Effect, Jonathan Harris et Greg Hochmuth, Image 8&quot; class=&quot;colorbox&quot; data-colorbox-gallery=&quot;gallery-all-AgJVliiMmNE&quot; data-cbox-img-attrs=&quot;{&amp;quot;title&amp;quot;: &amp;quot;&amp;quot;, &amp;quot;alt&amp;quot;: &amp;quot;&amp;quot;}&quot;&gt;&lt;img class=&quot;adaptive-image&quot; typeof=&quot;foaf:Image&quot; src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/styles/couverture_article_virtuel/adaptive-image/public/nt2-16-ce08-2560x1440-network_effect.jpg?itok=YOCUpQ4i&quot; alt=&quot;&quot; title=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
     <pubDate>Tue, 21 Jun 2016 21:19:37 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
 <guid isPermaLink="false">38376 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 7</title>
    <link>https://nt2.uqam.ca/fr/images/network-effect-jonathan-harris-et-greg-hochmuth-image-7</link>
    <description>&lt;div class=&quot;field field-name-field-image field-type-image field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;&lt;a href=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/nt2-16-ce07-2560x1440-network_effect.jpg&quot; title=&quot;Network Effect, Jonathan Harris et Greg Hochmuth, Image 7&quot; class=&quot;colorbox&quot; data-colorbox-gallery=&quot;gallery-all-AgJVliiMmNE&quot; data-cbox-img-attrs=&quot;{&amp;quot;title&amp;quot;: &amp;quot;&amp;quot;, &amp;quot;alt&amp;quot;: &amp;quot;&amp;quot;}&quot;&gt;&lt;img class=&quot;adaptive-image&quot; typeof=&quot;foaf:Image&quot; src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/styles/couverture_article_virtuel/adaptive-image/public/nt2-16-ce07-2560x1440-network_effect.jpg?itok=FmWLiE4b&quot; alt=&quot;&quot; title=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
     <pubDate>Tue, 21 Jun 2016 21:12:32 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
 <guid isPermaLink="false">38375 at https://nt2.uqam.ca</guid>
  </item>
  <item>
    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 6</title>
    <link>https://nt2.uqam.ca/fr/images/network-effect-jonathan-harris-et-greg-hochmuth-image-6</link>
    <description>&lt;div class=&quot;field field-name-field-image field-type-image field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even field-item-first field-item-last&quot;&gt;&lt;a href=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/nt2-16-ce06-2560x1440-network_effect.jpg&quot; title=&quot;Network Effect, Jonathan Harris et Greg Hochmuth, Image 6&quot; class=&quot;colorbox&quot; data-colorbox-gallery=&quot;gallery-all-AgJVliiMmNE&quot; data-cbox-img-attrs=&quot;{&amp;quot;title&amp;quot;: &amp;quot;&amp;quot;, &amp;quot;alt&amp;quot;: &amp;quot;&amp;quot;}&quot;&gt;&lt;img class=&quot;adaptive-image&quot; typeof=&quot;foaf:Image&quot; src=&quot;https://nt2.uqam.ca/sites/nt2.uqam.ca/files/styles/couverture_article_virtuel/adaptive-image/public/nt2-16-ce06-2560x1440-network_effect.jpg?itok=Y9SjRzjT&quot; alt=&quot;&quot; title=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
     <pubDate>Tue, 21 Jun 2016 21:06:29 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
 <guid isPermaLink="false">38374 at https://nt2.uqam.ca</guid>
  </item>
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    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 5</title>
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     <pubDate>Tue, 21 Jun 2016 20:35:36 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
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    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 4</title>
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     <pubDate>Tue, 21 Jun 2016 20:25:49 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
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    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 3</title>
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     <pubDate>Tue, 21 Jun 2016 20:20:15 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
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    <title>Network Effect, Jonathan Harris et Greg Hochmuth, Image 2</title>
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     <pubDate>Tue, 21 Jun 2016 20:11:56 +0000</pubDate>
 <dc:creator>Lisa Tronca</dc:creator>
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