Published on Observatoire de l'imaginaire contemporain (https://oic.uqam.ca)

Date de publication: 21/10/2022
Figura, Centre de recherche sur le texte et l'imaginaire, Université du Québec à Montréal

Projected Perception: A Phenomenological Analysis of Robert Barry's "Famous Paintings". [1]

«Robert Barry is a conceptual artist that came of age in the 1960's in New York City. Barry's best known works of art employed text and images, altering size, scale and medium for varying effects.»

 

a
Taxonomie_group
Research Areas:
Archaeology of contemporary knowledge and pratices [2]
Art Movements:
contemporary [3]
Historical Periodization:
1940-1960 [4]
1960-1980 [5]
20th century [6]
Figures and Imaginary:
body [7]
Objects and Cultural Practices:
screening [8]
painting [9]
picture [10]
slide [11]
Problematics:
space [12]
interpretation [13]
immersion [14]
subjectivity [15]
knowledge [16]
language [17]
text-image relation [18]
Geographical Context:
United States [19]
Fields of Discipline:
philosophy [20]
visual arts [21]
phenomenology [22]
semiotics [23]
Friday 23 May 2014
Event:
L'image en lumière: histoire, usages et enjeux de la projection. The Enlightened Image: History and Uses of Projection.
Referenced author(s) and artist(s):
Foucault, Michel
Magritte, René
Type of event:
Symposium [24]
Teaser:

«Robert Barry is a conceptual artist that came of age in the 1960's in New York City. Barry's best known works of art employed text and images, altering size, scale and medium for varying effects.»

To cite this document:
Alvarez, Andrea [25]. 2014. “Projected Perception: A Phenomenological Analysis of Robert Barry's "Famous Paintings". [26]”. Within L'image en lumière: histoire, usages et enjeux de la projection. The Enlightened Image: History and Uses of Projection.. Symposium hosted by Figura, Centre de recherche sur le texte et l'imaginaire. Montréal, Université du Québec à Montréal, 23 mai 2014. Document audio. Available online: l’Observatoire de l’imaginaire contemporain. <https://oic.uqam.ca/en/communications/projected-perception-a-phenomenological-analysis-of-robert-barrys-famous-paintings [1]>. Accessed on May 1, 2023.
Node ID:
55135
Pour citer ce document (Computed):
<span class="biblio-authors" >Alvarez, Andrea</span>. 2014. « <span class="biblio-title" >Projected Perception: A Phenomenological Analysis of Robert Barry's "Famous Paintings".</span> ». Dans le cadre de <span style="font-style: italic;">L'image en lumière: histoire, usages et enjeux de la projection. The Enlightened Image: History and Uses of Projection.</span>. Colloque organisé par Figura, Centre de recherche sur le texte et l'imaginaire. Montréal, Université du Québec à Montréal, 23 mai 2014. Document audio. En ligne sur le site de l’Observatoire de l’imaginaire contemporain. &lt;https://oic.uqam.ca/fr/communications/projected-perception-a-phenomenological-analysis-of-robert-barrys-famous-paintings&gt;. <span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rft.title=Projected+Perception%3A+A+Phenomenological+Analysis+of+Robert+Barry%26%23039%3Bs+%26quot%3BFamous+Paintings%26quot%3B.&amp;rft.date=2014&amp;rft.aulast=Alvarez&amp;rft.aufirst=Andrea&amp;rft.pub=Figura%2C+Centre+de+recherche+sur+le+texte+et+l%26%23039%3Bimaginaire&amp;rft.place=Montr%C3%A9al%2C+Universit%C3%A9+du+Qu%C3%A9bec+%C3%A0+Montr%C3%A9al"></span>
Source URL: https://oic.uqam.ca/en/communications/projected-perception-a-phenomenological-analysis-of-robert-barrys-famous-paintings