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 <title>Observatoire de l&#039;imaginaire contemporain - Université du Québec en Abitibi-Témiscamingue</title>
 <link>https://oic.uqam.ca/en/taxonomy/term/54155</link>
 <description></description>
 <language>en</language>
<item>
 <title>Godin, Danny</title>
 <link>https://oic.uqam.ca/en/profils/godin-danny</link>
 <description>&lt;div class=&quot;field field-name-field-statut-individu field-type-list-text field-label-inline clearfix&quot;&gt;
      &lt;div class=&quot;field-label&quot;&gt;Status: &lt;/div&gt;
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          &lt;div class=&quot;field-item even&quot;&gt;Chercheur(e) invité(e)&lt;/div&gt;
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&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;
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          &lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;&lt;strong&gt;Danny Godin&lt;/strong&gt; est professeur au Département de Création et nouveaux médias à l&#039;Université du Québec en Abitibi-Témiscamingue.&lt;/p&gt;

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  &lt;div class=&quot;views-field views-field-field-type-evenement&quot;&gt;        &lt;div class=&quot;field-content&quot;&gt;Journée d&amp;#039;étude&lt;/div&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/levolution-de-donjons-dragons-ravenloft-et-tomb-of-horrors-en-2017&quot;&gt;L’évolution de Donjons &amp;amp; Dragons: «Ravenloft» et «Tomb of Horrors» en 2017&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/levolution-de-donjons-dragons-ravenloft-et-tomb-of-horrors-en-2017&quot;&gt;L’évolution de Donjons &amp;amp; Dragons: «Ravenloft» et «Tomb of Horrors» en 2017&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-type&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Communication d&amp;#039;évènement&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-name&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;OIC - Journée d&amp;#039;étude&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/biblio/levolution-de-donjons-dragons-ravenloft-et-tomb-of-horrors-en-2017&quot;&gt;L’évolution de Donjons &amp;amp; Dragons: &amp;quot;Ravenloft&amp;quot; et &amp;quot;Tomb of Horrors&amp;quot; en 2017&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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 <pubDate>Fri, 24 Nov 2017 19:02:22 +0000</pubDate>
 <dc:creator>Jasmin Cormier</dc:creator>
 <guid isPermaLink="false">63877 at https://oic.uqam.ca</guid>
 <comments>https://oic.uqam.ca/en/profils/godin-danny#comments</comments>
</item>
<item>
 <title>De Jocaste à Lolita: Œdipe et l’hypersexualisation des jeunes filles au cinéma</title>
 <link>https://oic.uqam.ca/en/publications/de-jocaste-a-lolita-oedipe-et-lhypersexualisation-des-jeunes-filles-au-cinema</link>
 <description>&lt;div class=&quot;field field-name-field-resume field-type-text-long field-label-hidden&quot;&gt;
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          &lt;div class=&quot;field-item even&quot;&gt;La présente thèse étudie l’hypersexualisation des jeunes filles en tant que phénomène culturel contemporain. En mettant à profit une approche conceptuelle psychanalytique et féministe, la thèse tente de comprendre le rôle joué par le regard, le désir et le fantasme dans ce phénomène.&lt;/div&gt;
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</description>
 <pubDate>Wed, 31 Aug 2016 16:13:27 +0000</pubDate>
 <dc:creator>Sarah Grenier</dc:creator>
 <guid isPermaLink="false">60498 at https://oic.uqam.ca</guid>
 <comments>https://oic.uqam.ca/en/publications/de-jocaste-a-lolita-oedipe-et-lhypersexualisation-des-jeunes-filles-au-cinema#comments</comments>
</item>
<item>
 <title>Hey! What Did You Do To the World?: Conceptualizing the Real with Baudrillard and Žižek </title>
 <link>https://oic.uqam.ca/en/publications/hey-what-did-you-do-to-the-world-conceptualizing-the-real-with-baudrillard-and-zizek</link>
 <description>&lt;div class=&quot;field field-name-field-resume field-type-text-long field-label-hidden&quot;&gt;
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          &lt;div class=&quot;field-item even&quot;&gt;This paper aims to propose a tentative consolidation of Baudrillardʼs notion of the Real as that which is inaccessible through its status as always-already reproduced.&lt;/div&gt;
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</description>
 <pubDate>Wed, 31 Aug 2016 15:57:11 +0000</pubDate>
 <dc:creator>Sarah Grenier</dc:creator>
 <guid isPermaLink="false">60494 at https://oic.uqam.ca</guid>
 <comments>https://oic.uqam.ca/en/publications/hey-what-did-you-do-to-the-world-conceptualizing-the-real-with-baudrillard-and-zizek#comments</comments>
</item>
<item>
 <title>The Frenzy of the (In)Visible: la médiation du regard dans «La vie d&#039;Adèle» et «Shame»</title>
 <link>https://oic.uqam.ca/en/publications/the-frenzy-of-the-invisible-la-mediation-du-regard-dans-la-vie-dadele-et-shame</link>
 <description>&lt;div class=&quot;field field-name-field-resume field-type-text-long field-label-hidden&quot;&gt;
    &lt;div class=&quot;field-items&quot;&gt;
          &lt;div class=&quot;field-item even&quot;&gt;Alors que le cinéma pornographique a longtemps existé en marge du cinéma et de la culture populaires, les frontières entre ces univers tendent aujourd’hui à s’effriter et à se perméabiliser.&lt;/div&gt;
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&lt;/div&gt;
</description>
 <pubDate>Wed, 31 Aug 2016 15:49:53 +0000</pubDate>
 <dc:creator>Sarah Grenier</dc:creator>
 <guid isPermaLink="false">60492 at https://oic.uqam.ca</guid>
 <comments>https://oic.uqam.ca/en/publications/the-frenzy-of-the-invisible-la-mediation-du-regard-dans-la-vie-dadele-et-shame#comments</comments>
</item>
<item>
 <title>Willis, Louis-Paul</title>
 <link>https://oic.uqam.ca/en/profils/willis-louis-paul</link>
 <description>&lt;div class=&quot;field field-name-field-portrait field-type-image field-label-hidden&quot;&gt;
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          &lt;div class=&quot;field-item even&quot;&gt;&lt;img typeof=&quot;foaf:Image&quot; src=&quot;https://oic.uqam.ca/sites/oic.uqam.ca/files/styles/individu_image/public/lp_willis_a2016.jpg?itok=CTHMtQhU&quot; width=&quot;147&quot; height=&quot;150&quot; alt=&quot;&quot; /&gt;&lt;/div&gt;
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&lt;div class=&quot;field field-name-field-statut-individu field-type-list-text field-label-inline clearfix&quot;&gt;
      &lt;div class=&quot;field-label&quot;&gt;Status: &lt;/div&gt;
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          &lt;div class=&quot;field-item even&quot;&gt;Membre régulier&lt;/div&gt;
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          &lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;&lt;strong&gt;Louis-Paul Willis&lt;/strong&gt; e&lt;span style=&quot;background-color: rgb(255, 255, 255); font-size: 0.8125rem;&quot;&gt;st chercheur régulier à FIGURA, le Centre de recherche sur le texte et l&#039;imaginaire. Il e&lt;/span&gt;&lt;span style=&quot;font-size: 0.8125rem;&quot;&gt;st professeur régulier en cinéma et médias numériques au département de création et nouveaux médias de l’Université du Québec en Abitibi-Témiscamingue (Rouyn-Noranda), où il enseigne depuis 2006.&amp;nbsp;Il est détenteur d&#039;un doctorat en études cinématographiques de l&#039;Université de Montréal, obtenu en 2012. Ses intérêts de recherche portent sur le féminisme, les études de genre, la psychanalyse lacanienne contemporaine et les questions du regard, du désir et du fantasme au cinéma et dans les médias visuels; il manifeste également&amp;nbsp;un intérêt actif pour les&amp;nbsp;questions liées à la réception médiatique ainsi que pour la narratologie.&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;background-color: rgb(255, 255, 255); margin-left: 400px;&quot;&gt;&lt;span style=&quot;font-size: 0.8125rem;&quot;&gt;*&amp;nbsp; *&amp;nbsp; *&lt;/span&gt;&lt;/p&gt;&lt;div style=&quot;background-color: rgb(255, 255, 255);&quot;&gt;Les listes qui suivent présentent les réalisations archivées et diffusées sur le site de l&#039;Observatoire de l&#039;imaginaire contemporain.&lt;/div&gt;&lt;div style=&quot;background-color: rgb(255, 255, 255);&quot;&gt;Pour accéder à la liste de toutes les réalisations du chercheur, cliquez sur&amp;nbsp;&lt;strong&gt;Référence(s) bibliographique(s)&lt;/strong&gt;&amp;nbsp;au bas de cette page.&lt;/div&gt;

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          &lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;http://figura.uqam.ca/membre/willis-louis-paul&quot; target=&quot;_blank&quot;&gt;Fiche Figura&lt;/a&gt;&lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/publications/the-frenzy-of-the-invisible-la-mediation-du-regard-dans-la-vie-dadele-et-shame&quot;&gt;The Frenzy of the (In)Visible: la médiation du regard dans «La vie d&amp;#039;Adèle» et «Shame»&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-2 views-row-even&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/publications/hey-what-did-you-do-to-the-world-conceptualizing-the-real-with-baudrillard-and-zizek&quot;&gt;Hey! What Did You Do To the World?: Conceptualizing the Real with Baudrillard and Žižek &lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/publications/de-jocaste-a-lolita-oedipe-et-lhypersexualisation-des-jeunes-filles-au-cinema&quot;&gt;De Jocaste à Lolita: Œdipe et l’hypersexualisation des jeunes filles au cinéma&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/songs-dont-lie-stranger-things-et-la-musique-comme-vecteur-de-la-retromanie&quot;&gt;«Songs don’t lie»: «Stranger Things» et la musique comme vecteur de la rétromanie télévisuelle&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/metalepse-et-culture-populaire-nouveaux-horizons-de-spectature&quot;&gt;Métalepse et culture populaire: nouveaux horizons de spectature&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-field-type-evenement&quot;&gt;        &lt;div class=&quot;field-content&quot;&gt;Colloque&lt;/div&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/de-fonzie-a-barney-mutation-de-la-virilite-dans-les-sitcoms-americains&quot;&gt;De Fonzie à Barney: mutation de la virilité dans les sitcoms américains&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/the-frenzy-of-the-invisible-desir-fantasme-et-pornographisation&quot;&gt;The Frenzy of the (In)Visible: désir, fantasme et pornographisation&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-field-type-evenement&quot;&gt;        &lt;div class=&quot;field-content&quot;&gt;Journée d&amp;#039;étude&lt;/div&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/communications/bates-motel-entre-prequel-reboot-et-remake&quot;&gt;«Bates Motel», entre prequel, reboot et remake&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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        &lt;div class=&quot;views-row views-row-1 views-row-odd views-row-first&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/node/73953&quot;&gt;L’imaginaire et l’éthique du désir&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-type&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Balado OIC&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-2 views-row-even views-row-last&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/node/73232&quot;&gt;Nostalgie à l&amp;#039;écran&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-type&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Balado OIC&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/biblio/vers-un-nouveau-hollywood-considerations-sur-la-metalepse-dans-le-cinema-populaire&quot;&gt;Vers un &amp;quot;Nouveau Hollywood&amp;quot;? Considérations sur la métalepse dans le cinéma populaire contemporain&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-name&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Article de revue&lt;/span&gt;  &lt;/div&gt;  
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  &lt;div class=&quot;views-field views-field-name&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Article de revue&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/biblio/traverser-le-fantasme-la-radicalite-de-la-spectature-cinematographique-contemporaine&quot;&gt;Traverser le fantasme: la radicalité de la spectature cinématographique contemporaine&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
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  &lt;div class=&quot;views-field views-field-name&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Article de revue&lt;/span&gt;  &lt;/div&gt;  
  &lt;div class=&quot;views-field views-field-title&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;&lt;a href=&quot;/en/biblio/from-jocasta-to-lolita-the-oedipal-fantasy-inverted&quot;&gt;From Jocasta to Lolita: The Oedipal Fantasy Inverted&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;  &lt;/div&gt;
  &lt;div class=&quot;views-row views-row-5 views-row-odd&quot;&gt;
      
  &lt;div class=&quot;views-field views-field-name&quot;&gt;        &lt;span class=&quot;field-content&quot;&gt;Chapitre de livre&lt;/span&gt;  &lt;/div&gt;  
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&lt;/div&gt; </description>
 <pubDate>Thu, 12 Mar 2015 15:35:55 +0000</pubDate>
 <dc:creator>Sarah Grenier</dc:creator>
 <guid isPermaLink="false">56975 at https://oic.uqam.ca</guid>
 <comments>https://oic.uqam.ca/en/profils/willis-louis-paul#comments</comments>
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