Présences du littéraire dans l’espace public canadien - Cardboard http://plepuc.org/en/taxonomy/term/310/0 A type of thin, stiff pasteboard consisting of good-quality chemical pulp or rag pasteboard; it is typically used for cards, signs, printed materials, and high-quality boxes. en Rencontre au confluent http://plepuc.org/en/artwork/rencontre-au-confluent <fieldset class="fieldgroup group-identification-de-loeuvr"><legend>Artwork identification</legend><div class="field field-type-text field-field-arti field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Artwork creator(s):&nbsp;</div> Bergeron, Suzanne </div> </div> </div> <div class="field field-type-nodereference field-field-arti-ref"> <div class="field-label">Artwork creator(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/bergeron-suzanne">Bergeron, Suzanne</a> </div> </div> </div> <div class="field field-type-text field-field-autr field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Text author(s):&nbsp;</div> Laferrière, Dany </div> </div> </div> <div class="field field-type-nodereference field-field-autr-ref"> <div class="field-label">Text author(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/laferri-re-dany">Laferrière, Dany</a> </div> </div> </div> <div class="field field-type-date field-field-anin field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Installation year:&nbsp;</div> <span class="date-display-single">2010</span> </div> </div> </div> </fieldset> <fieldset class="fieldgroup group-description-de-loeuvre"><legend>Artwork description</legend><div class="field field-type-filefield field-field-illustrations"> <div class="field-items"> <div class="line"> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/IMGP1011.JPG" type="image/jpeg; length=84806" title="IMGP1011.JPG">Source : Photo transmited by Marie-Claude Langevin</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/IMGP1012.JPG" type="image/jpeg; length=92597" title="IMGP1012.JPG">Source : Photo transmited by Marie-Claude Langevin</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/8317_adecom.jpg" type="image/jpeg; length=72026" title="8317_adecom.jpg">Source : Photo transmited by Marie-Claude Langevin</a></div> </div> </div> </div> </div> <div class="field field-type-text field-field-desca"> <div class="field-label">Description:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <p style="text-align: justify;">Group of glass panels with a concrete block. On the vertical panel, we can see the text and a path created with 1 ¢ coins. On the horizontal panel, the artist has inlaid wooden wafers and a recycled cardboard lattice.</p> </div> </div> </div> <div class="field field-type-text field-field-mentionslegalesillust"> <div class="field-label">Mention(s) légale(s) des illustrations:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> Copyright détenu par l’équipe de recherche </div> </div> </div> <div class="field field-type-text field-field-crdit-photographique"> <div class="field-label">Photo credits:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> © Marie-Claude Langevin </div> </div> </div> <div class="field field-type-text field-field-texte"> <div class="field-label">Text of the artwork:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <p style="text-align: center;">J’ai toujours pensé que c’était le livre qui franchissait les siècles pour parvenir jusqu’à nous.<br />Jusqu’à ce que je comprenne en voyant cet homme que c’est le lecteur qui fait le déplacement.</p> </div> </div> </div> <div class="field field-type-text field-field-thet field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Text theme:&nbsp;</div> Litérature </div> </div> </div> <div class="field field-type-text field-field-theo field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Artwork theme:&nbsp;</div> <p style="text-align: justify;"><em>Rencontre au confluent </em>is a glass book that opens onto the world and artistic creation – both architectural and literary. Here, the designer is not inspired by the poet, but rather pays tribute to him. The viewer is invited to make a connection with Dany Laferrière’s novel <em>L’énigme du retour</em> (2009 Médicis prize), published by Éditions du Boréal.</p> </div> </div> </div> <div class="field field-type-nodereference field-field-biblio-ref"> <div class="field-label">Text reference:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/biblio/2111">L&#039;énigme du retour</a> </div> </div> </div> </fieldset> <fieldset class="fieldgroup group-historique"><legend>History</legend><div class="field field-type-text field-field-hist field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> History:&nbsp;</div> <p style="text-align: justify;">From May 18 to October 31, 2010, in the entrance hall of the Grande Bibliothèque, Bibliothèque et Archives nationales du Québec (BAnQ) will be hosting the exhibition <em>Architectures en vers</em>, which consists of five architectural installations inspired by poetry. These installations were created by collectives of well-known and up-and-coming architects working with glass artists. The exhibition is presented as part of the “Montréal, 2010 City of Glass” program, under the direction of the Board of Montreal Museum Directors.</p> </div> </div> </div> <div class="field field-type-date field-field-anev field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Event date(s):&nbsp;</div> <span class="date-display-single">2010</span> </div> </div> </div> </fieldset> <fieldset class="fieldgroup group-dimension-de-loeuvre"><legend>Dimensions</legend> </fieldset> <fieldset class="fieldgroup group-autres-informations"><legend>Other information</legend><div class="field field-type-text field-field-notes"> <div class="field-label">Note(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <p style="text-align: justify;">Suzanne Bergeron of Amiot Bergeron architectes reveals her deepest thoughts in a work of shadow and glass that is highly moving in its simplicity.</p> </div> </div> </div> <div class="field field-type-link field-field-biau field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Author&#039;s biography:&nbsp;</div> <a href="http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&amp;Params=A1ARTA0010096" target="user">Dany Laferrière</a> </div> </div> </div> <div class="field field-type-nodereference field-field-biblio"> <div class="field-label">Document(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/biblio/2132">Architecture en vers exhibition at Montreal&#039;s Grande Bibliothèque</a> </div> <div class="field-item even label-above"> <a href="/en/biblio/2133">Architectures en vers, présentée dans le cadre de Montréal, ville de verre 2010</a> </div> <div class="field-item odd label-above"> <a href="/en/biblio/2131">Table-ronde - Exposition “Architectures en vers” à la Grande Bibliothèque</a> </div> </div> </div> </fieldset> Installation and intervention Sculpture Temporary Interior Culture Event Excerpt Linear Tribute Architecture en vers Copper Glass Wood Cardboard 45.515384 -73.562393 Wed, 15 Sep 2010 20:06:30 +0000 Marie-Claude Langevin 2136 at http://plepuc.org Letters From Home http://plepuc.org/en/artwork/letters-from-home <fieldset class="fieldgroup group-identification-de-loeuvr"><legend>Artwork identification</legend><div class="field field-type-text field-field-arti field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Artwork creator(s):&nbsp;</div> Jones, Amy; Naylor, Margaret; Weaving, Jill P. </div> </div> </div> <div class="field field-type-nodereference field-field-arti-ref"> <div class="field-label">Artwork creator(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/jones-amy">Jones, Amy</a> </div> <div class="field-item even label-above"> <a href="/en/naylor-margaret">Naylor, Margaret</a> </div> <div class="field-item odd label-above"> <a href="/en/weaving-jill-p">Weaving, Jill P.</a> </div> </div> </div> <div class="field field-type-text field-field-autr field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Text author(s):&nbsp;</div> Jones, Amy; Naylor, Margaret; Weaving, Jill P.; Leach,Penelope </div> </div> </div> <div class="field field-type-nodereference field-field-autr-ref"> <div class="field-label">Text author(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/jones-amy">Jones, Amy</a> </div> <div class="field-item even label-above"> <a href="/en/naylor-margaret">Naylor, Margaret</a> </div> <div class="field-item odd label-above"> <a href="/en/weaving-jill-p">Weaving, Jill P.</a> </div> <div class="field-item even label-above"> <a href="/en/leachpenelope">Leach,Penelope</a> </div> </div> </div> <div class="field field-type-date field-field-anin field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Installation year:&nbsp;</div> <span class="date-display-single">1992</span> </div> </div> </div> </fieldset> <div class="field field-type-text field-field-location-remarks field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Remarks on location:&nbsp;</div> <div id="result_box" style="text-align: left;" dir="ltr">Flyers placed in the leaflet display on British Columbia Ferries, at the tourist information center in the City of Vancouver, postal outlets, community centers and various&nbsp;<span style="font-size: 13.3333px;">other&nbsp;</span><span style="font-size: 13.3333px;">locations.</span></div> </div> </div> </div> <fieldset class="fieldgroup group-description-de-loeuvre"><legend>Artwork description</legend><div class="field field-type-filefield field-field-illustrations"> <div class="field-items"> <div class="line"> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home ABCD.jpg" type="image/jpeg; length=27187" title="letters from home ABCD.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home EFGH.jpg" type="image/jpeg; length=27366" title="letters from home EFGH.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home IJKL.jpg" type="image/jpeg; length=28087" title="letters from home IJKL.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home MNOP.jpg" type="image/jpeg; length=26916" title="letters from home MNOP.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> </div><div class="line"> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home QRST.jpg" type="image/jpeg; length=32579" title="letters from home QRST.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home UVWXY.jpg" type="image/jpeg; length=29437" title="letters from home UVWXY.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> <div class="field-item"> <div class="filefield-file"><img class="filefield-icon field-icon-image-jpeg" alt="image/jpeg icon" src="http://plepuc.org/sites/all/modules/contrib/filefield/icons/image-x-generic.png" /><a href="http://plepuc.org/sites/plepuc.org/files/images/letters from home Z.jpg" type="image/jpeg; length=11677" title="letters from home Z.jpg">Source: Leigh Butler, Margot (1992), Letters from Home, Vancouver : The Vancouver Association for Non Commercial Culture</a></div> </div> </div> </div> </div> <div class="field field-type-text field-field-desca"> <div class="field-label">Description:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <p>Flyers placed in various displays</p> </div> </div> </div> <div class="field field-type-text field-field-mentionslegalesillust"> <div class="field-label">Mention(s) légale(s) des illustrations:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> Copyright détenu par des photographes et/ou des musées dont la permission/reproduction n’a pas été obtenue </div> </div> </div> <div class="field field-type-text field-field-texte"> <div class="field-label">Text of the artwork:&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <h3>[card for the letter "A"]</h3> <p><br />A a<br /><br />AWORK<br /><br />āhĭsto ̸&nbsp; rĭc (al)&nbsp; adjs. Not historic(al);<br />Unrelated to history.<br /><br />Apple<br /><br />āmŏ ̸ ral&nbsp; a. Unconcerned with or outside<br />of morals; non-moral.<br /><br />snAke<br /><br />āsĕ ̸ xŭal&nbsp; a. Having no distinct sex; also,<br />produced without sexual agency.<br /><br />Fig leAf<br /><br />ā ̸ work (werk)&nbsp; n. Unconcerned with<br />gender of worker and unrelated to<br />designation of locale as workplace;<br />also produced without necessity of<br />monetary agency.<br /><br /><br /></p> <h3>[ [card for the letter «B»]</h3> <p><br />B b<br /><br />Birth<br /><br />Bread<br /><br />Not I, not I, not I<br />and she did.<br />Not I, not I, not I<br />and she did.<br />Not I, not I, not I<br />and she did.<br /><br />Young adult men<br />are the most<br />resistant to periods<br />of famine…<br /><br /><br /></p> <h3>[card for the letter&nbsp; «C»]</h3> <p><br />C c<br />Claire<br />A Tale of Right And Wrong.<br /><br />Claire was a steam engine. She worked hard<br />every day pulling coaches up and down the<br />mountain. Her friends were all steam en-<br />gines too. They met every Friday for din-<br />ner at the station. Claire loved this time<br />with her friends.<br />When Claire was younger she taught<br />Andy, her little steam engine, to pull<br />coaches. When he was old enough he went<br />to work on the prairie, on the other side of<br />the mountain. After Andy left Claire, she<br />missed him very much.<br />One day when Andy was working, he<br />tooted his horn loud enough that even Claire<br />could hear it, so far away. Claire sent him a<br />smoke signal, warning him to save his en-<br />ergy for pulling the heavy coaches. It seemed<br />to her, at the time, that she was right to<br />warn him. After she talked about it with<br />her friends, however, she wasn’t so sure.<br />Claire decided to ask Andy if he thought<br />she was right or if he thought she was<br />wrong. He said he used to think he knew<br />the answer, but was sure he didn’t know<br />the answer now.<br /><br /><br /></p> <h3>[ card for the letter «D»]</h3> <p><br />Dd<br /><br />A puppy’s mother<br />Is called a dog bitch<br /><br /><br /></p> <h3>[card for the letter&nbsp; «E»]</h3> <p><br />Ee<br /><br />Experience<br />(Work Related)<br /><br />Eight little children having fun,<br />Their parents have experience with each one.<br /><br />Experience cooking for Elsa<br />who will not eat most things.<br />Experience nursing Egan<br />who fell down off the swings.<br />Experience teaching Emma<br />who’s just learning to walk.<br />Experience entertaining Elijah<br />who’s the only kid on his block.<br />Experience negotiating with Edgar<br />who will not wear his glasses.<br />Experience scheduling Elizabeth’s<br />French and English classes.<br />Experience counselling Ellen<br />who wets her bed at five.<br />Experience researching car seats<br />to keep Etienne safe and alive.<br /><br />Eight little children having fun,<br />their parents have experience with each one.<br /><br /><br /></p> <h3>[card for the letter&nbsp; «F»]</h3> <p><br />Ff<br /><br />Foot<br />of the household<br /><br /></p> <h3>[card for the letter «G»]</h3> <p><br />Gg<br /><br />Glove<br /><br />Goods<br />Draw a line from each word to the picture<br />With the same beginning sound.<br />exchange<br />trade<br />barter<br />sell<br />value<br />worth<br />owner<br />debtor<br />borrow<br />claim<br /><br /><br /></p> <h3>[card for the letter «H»]</h3> <p><br />Hh<br /><br />ours<br /><br />Cut along dotted lines<br />Punch holes<br />Attach to circle at dot<br /><br /></p> <h3><br />[card for the letter «I»]</h3> <p><br />Ii<br /><br />you are here<br /><br /><br /></p> <h3>[ card for the letter «J»]</h3> <p><br />Jj<br /><br />Job<br /><br />Dear Roberta,<br />My friend has<br />no time for me.<br />She’s not working<br />yet she is always<br />busy. She h<br />no time off<br />she’s on […]as<br />hours&nbsp; […]as<br />I’ve&nbsp; […]call 24<br />sp&nbsp; […]a day<br />[…]uld like to<br />[…]nd more time<br />with her but i<br />don’t understand<br />this situation.<br />Can you help?<br /><br /><br /></p> <h3>[card for the letter «K»]</h3> <p><br />Kk<br /><br />Kitchen<br /><br />konstant klutter<br />kareworn klown<br />kneads kouch<br /><br /><br /></p> <h3>[ card for the letter «L»]</h3> <p><br />Ll<br /><br />Life<br /><br /><br /></p> <h3>[ card for the letter «M»]</h3> <p><br />Mm<br /><br />MOTHERHOOD<br />The township of Hamelin was besieged by rats<br />who chewed everything from the food in the vats<br />to the babies in their cradles and men’s Sunday hats.<br />Mothers pulled off their hoods and raised fists at the vermin<br />while Mayor and Corporation dressed in ermine<br />though they scratched their heads no solution could determine.<br /><br />Then came the Pied Piper who bargained with Mayor and Corporation<br />to the massive job of Hamelin’s rat extermination.<br />When he started to play there gathered behind him in formation<br />all the rats who soon would perish of their watery destination.<br />But when he returned his rewards to reap<br />those sneaky official realized with a leap<br />dead rats can’t back…said his price was too steep!<br /><br />So the piper raised his pipe and again began to play<br />but this time it was the children who followed him away.<br />The townsfolk raged at politicians whose faces had turned grey<br />The mothers raised their fists then turned and left to fray.<br /><br />The mothers donned their hoods and so by mortal man unspied<br />followed children and piper to the mountain-side<br />where appeared a wondrous portal opened wide.<br />In marched piper, children and mothers<br />then a mighty crash shut out all the others.<br />And ne’er again did Hamelin’s folk see their children or their lovers.<br /><br />The missing children never did return to that we can attest.<br />But as for the mothers no-one knows the rest<br />for as many stories, jokes and stereotypes do suggest<br />motherhoods long on are almost impossible to divest. <br /><br />GLOSSARY<br />Motherhood-Mantle assumed by women most usually after birthing a child. Worn<br />draped loosely over the head, it seems to render the wearer invisible and inaudible<br />to other adults. Traditionally available in blue only. <br /><br /><br /></p> <h3>[card for the letter «N»]</h3> <p><br />Nn<br /><br />nope, slang. equivalent<br />to a negative sentence.<br />1.&nbsp;&nbsp;&nbsp; The answer to your<br />question is negative, your<br />request or command will <br />not be complied with.<br /><br />Nobel Prize, one<br />of the annual prizes<br />(for physics, chemis-<br />try, physiology or<br />medicine, literature,<br />economic sciences,<br />and the promotion of<br />peace) awarded from<br />the bequest of Alfred<br />Nobel (d.1896),<br />Swedish inventor of<br />dynamite.<br /><br /><br /></p> <h3>[card for the letter&nbsp; «O»]</h3> <p><br />Oo<br /><br />One<br /><br />Connect the dots.<br /><br /><br /></p> <h3>[card for the letter&nbsp; «P»]</h3> <p><br />Pp<br /><br />Picnic<br /><br />Table<br /><br /><br /></p> <h3>[card for the letter&nbsp; «Q»]</h3> <p><br />Qq<br /><br />Quiet<br /><br /><br /></p> <h3>[card for the letter&nbsp; «R»]</h3> <p><br />Rr<br /><br />Rashes<br /><br />“Children quite frequently<br />Produce dramatic skin rashes, with no<br />Other symptoms. They go away as sud-<br />Denly as they came. Some of these are<br />Probably allergic reactions; some<br />May be caused by viruses.”<br /><br />Penelope Leach<br />Your Baby And Child<br />From Birth To Age Five<br /><br /><br /></p> <h3>[ card for the letter «S»]</h3> <p><br />Ss<br /><br />Stress<br /><br />Taking care of children is demanding<br />work! Taking care of children is de-<br />manding work! Taking care of children<br />is demanding work! Taking care of<br />children is demanding work! Taking care<br />of children is demanding work! Tak-<br />ing care of children is demanding<br />work! Taking care of children is de-<br />manding work! taking care of chil-<br />dren is demanding work! Taking care<br />of children is demanding work! Taking<br />care of children is demanding work!<br />Taking care of children is demand-<br />ing work! Taking care of children is<br />demanding work! Taking care of<br />children is demanding work! Tak-<br />ing care of children is demanding<br />work! taking care of children is de<br />manding work! taking care of children<br />is demanding work! Taking care<br />of children is demanding work!<br />Taking care of children is demand<br />ing work! Taking care of children is<br />demanding work! Taking care of children<br />is demanding work! Taking care of children is<br />demanding work! taking care of children is<br />[unintelligible]<br />[unintelligible]<br />[unintelligible]<br />[unintelligible]<br /><br /><br /></p> <h3>[ card for the letter «T»]</h3> <p><br />Tt<br /><br />TWENTY<br />There are twenty teeth in<br />the first set, ten in the<br />upper jaw and ten in the<br />lower, comprising eight<br />incisors, four canines<br />and eight molars. They<br />usually come through in <br />a particular order and<br />the lower teeth tend to <br />break through before the <br />corresponding upper<br />teeth. The first tooth to <br />appear is usually a lower<br />central incisor, at be-<br />tween five and seven <br />months, though in some<br />children it erupts at three<br />months and in others <br />not until a year. Next<br />come the upper central<br />incisors (6-8 months),<br />the lower lateral incisors<br />(7-10 months), the upper lateral incisors<br />(8-11 months), the<br />canines (16-20 months),<br />the first molars (18-24 <br />months) and the second<br />molars (20-30 months).<br />At the end of her first<br />year, the average child<br />has six to eight teeth. <br /><br />There are thirty-two teeth<br />in the second set and these<br />lie in the jaws beneath the<br />gums waiting to erupt. The<br />first through the gums are<br />the six-year-old or first<br />molars, and these appear<br />between six and seven<br />years. They grow next to<br />the second molars of the<br />first set so no first teeth <br />are distributed. These are<br />closely followed by the <br />lower central incisors<br />which push the central <br />incisors of the first set out<br />of the jaw as they ap-<br />proach the gum. A child<br />usually loses first teeth in<br />the order they will be<br />replaced by the permanent<br />set. The upper central<br />incisors and lower lateral<br />incisors (7-8 years) are <br />followed by the upper<br />lateral incisors (8-9 years),<br />the first premolars (10-12 <br />years), the second<br />premolars (10-13 years),<br />the upper canines (11-12<br />years), the second molars<br />(11-13 years), the lower<br />canines (12-13 years) and<br />the third molars, or<br />wisdom teeth, in the late<br />teens or twenties.<br /><br /><br /></p> <h3>[card for the letter «U»]</h3> <p><br />Uu<br /><br />UNSNA<br /><br />The United Nations System of National<br />Accounts is a system<br />of economic records<br />advocated by the<br />UN for its member<br />countries.<br /><br />Traditionally referred<br />to as “dancemasters”<br />because of their<br />distinctive shape,<br />these inside/outside<br />calipers-much like<br />the UNSNA-permit<br />direct transfer of an<br />interior measure-<br />ment to an exter-<br />ior space.<br /><br />If people contributing to<br />the well-being of their<br />countries by doing<br />household and child-<br />rearing work were all<br />recorded in the UNSNA,<br />then they would also<br />be visible in the <br />distribution of benefit.<br /><br /><br /></p> <h3>[ card for the letter «V»]</h3> <p><br />Vv<br /><br />Vote<br /><br />Ballot<br /><br />Universal Health Care<br /><br />Pensions for Homemakers<br /><br />National Day-care Strategy<br /><br />Foreign Domestics Program consistent with<br />Canada’s cultural multicultural policies<br /><br />Enforcement of Employment<br />Standards Act for all workers<br /><br /><br /></p> <h3>[card for the letter&nbsp; «W»]</h3> <p><br />Ww<br /><br />WORK<br /><br />Three of these Words belong together.<br />Which of these Words is not the same?<br /><br />WORK WORK WAGE WORK<br />WORK WORK WORK WORE<br />WORE WARE WORE WORE<br />WAGE WARE WARE WARE<br />WAGE WAGE WAGE WORK<br /><br /></p> <h3><br />[card for the letters &nbsp;«X» and «Y»]</h3> <p><br />XxYy<br /><br />XX₁ + XY₁ + xy₁ +xx₁ = family [1]<br />XX₂ + XY₂ + xy₂ + xx₂= family [2]<br /><br />Problem:<br />XX, does the household work and<br />child-rearing of little xx₁, and xx₂ and<br />xy₁ and xy₂ from 9 a.m. to 9 p.m.<br /><br />from Monday to Friday<br /><br />For this work XX₁ is<br />paid $15,000 + expenses by XX₂<br />and $15,000 + expenses by XY₁<br />for a total income of $30,000 + expenses.<br /><br />Why<br /><br />can XY₂ deduct<br />$8000 from<br />XY₂’s taxable<br />income?<br /><br />can’t XY₁ or XX₂<br />deduct $8,000<br />from their taxable<br />incomes?<br /><br />is XX₁’s taxable<br />income before<br />deductions only<br />$15,000?<br /><br />→ and why if XY₁ ceases to reside<br />with XX₁ and xx₁ and xy₁ does XY₁ no longer pay XX₁ $15,000<br />even though XX₁ <br />continues to do the same work.<br /><br />Why does XY₁ only<br />contribute towards<br />expenses for xx₁ and<br />xy₁? And why can XY₁<br />now deduct the total<br />paid for expenses from<br />XY₁’s taxable income.<br />And why must XX₁ add<br />an amount = (equal) <br /><br />to XY₁’s deduction to<br />XX₁’s taxable income?<br /><br /><br /></p> <h3>[ card for the letter «Z»]</h3> <p><br />Zz<br />Zeitgeist<br /><br />Zeit/geist (tsīt), n. [G., from zeit, time and gesit, spirit.]<br />The spirit of the time; the moral and intellectual<br />trend of any age or period.<br /><br />Of course it’s fun for you, being<br />Lion hunted. Of course you want to <br />Stay in the middle of it.<br /><br />But it could be fun for you too<br />darling. Making new friends, meeting<br />Interesting people…<br /><br />Darling, interesting people<br />don’t want to make friends<br />with housewives.<br /><br />I wish you wouldn’t call yourself<br />a housewife, you’re so much<br />more than that!<br />So is every other<br />housewife.<br /><br />Excerpt from the feature film “Please Don’t Eat The Daisies”<br />Screened at movie theatres when first released, now shown<br />on network television and available on home video.<br /><br />©1960 Loew’s Inc. and Euterpe Inc.<br />©1987 Turner Entertainment Co. and Euterpe Inc.<br />© 1990 MGM/UA Home Video, Inc.</p> </div> </div> </div> <div class="field field-type-text field-field-thet field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Text theme:&nbsp;</div> Realities and stereotypes of domestic and maternal labour; trivialized women’s labour; emotional realities of child rearing; questionning myths on motherhood </div> </div> </div> <div class="field field-type-text field-field-theo field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Artwork theme:&nbsp;</div> Realities and stereotypes of domestic and maternal labour; trivialized women’s labour; emotional realities of child rearing; questionning myths on motherhood </div> </div> </div> </fieldset> <fieldset class="fieldgroup group-historique"><legend>History</legend><div class="field field-type-text field-field-hist field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> History:&nbsp;</div> Event: Exhibition <em>Out of Place</em>, organized by the Association for Noncommercial Culture July 1, 1992-June 30, 1993 </div> </div> </div> <div class="field field-type-date field-field-anev field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Event date(s):&nbsp;</div> <span class="date-display-single">1993</span> </div> </div> </div> </fieldset> <fieldset class="fieldgroup group-dimension-de-loeuvre"><legend>Dimensions</legend><div class="field field-type-number-float field-field-haut field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Height:&nbsp;</div> 0.21m </div> </div> </div> <div class="field field-type-number-float field-field-largeur field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Width:&nbsp;</div> 0.88m </div> </div> </div> </fieldset> <fieldset class="fieldgroup group-autres-informations"><legend>Other information</legend><div class="field field-type-text field-field-source field-inline"> <div class="field-items"> <div class="field-item odd label-inline"> <div class="field-label field-label-inline-first"> Source:&nbsp;</div> 8. Vancouver Association for Non Commercial Culture, centre d’artistes (1984-1998) (Fonds Vancouver Association for Non Commercial Culture fonds) en la possession de la Morris and Helen Belkin Art Gallery University of British Columbia Contact: Krisztina Laszlo , Archivist Address: University of British Columbia, 1825 Main Mall, Vancouver, B.C. V6T 1Z2 Phone: (604) 822-0001 Fax: (604) 822-6689 EMail: klaszlok@interchange.ubc.ca </div> </div> </div> <div class="field field-type-nodereference field-field-biblio"> <div class="field-label">Document(s):&nbsp;</div> <div class="field-items"> <div class="field-item odd label-above"> <a href="/en/biblio/1376">Out of Place</a> </div> <div class="field-item even label-above"> <a href="/en/biblio/1384">Letters from Home</a> </div> </div> </div> </fieldset> http://plepuc.org/en/artwork/letters-from-home#comments Installation and intervention Temporary Exterior Leisure, sport and entertainment Public services Transportation Event Excerpt Linear Random Out of Place Paper Cardboard 49.288105 -123.115490 Wed, 01 Apr 2009 14:34:47 +0000 Marie-Claude Langevin 1430 at http://plepuc.org