Search results (documents)

Shore-lines

Moore, William (2003). Shore/lines : Responding to Place. Barrie : MacLaren Art Centre, p. 64

[Anonymous] (2003). Shore/Lines. Responding to Place. Canadian Art. vol. 20, no. 2 (Summer) , p. 51-58

GROYS, Boris, Séamus Kealy, Gene Ray, Brigitte van der Sande (2008). Signals in the Dark : Art in the Shadow of War. Mississauga/Toronto : Blackwood Gallery/Justina M. Barnicke Gallery

Doyon, Jacques, Richard Gagnier (2000). Singular Fission/ Fissions singulières. Hull : Axe Néo-7, p. 31

Korp, Maureen (2001). Singular Fissions. Art in a Cold War Bunker. dART INTERNATIONAL. , p. 24-27; 50

Urban_Visions07 (2007). Site 27. Gil McElroy. Hoops and Loops. <http://www.urbanvisions07.com/> : Urban Visions07

Symbiosis (1997). Site-specific. Bank of Symbiosis. <http://www.year01.com/alstad/bank.html> : Michael Alstad webpage

Cronin, Ray (1992). Sites of New Tradition: Temporary Public Art in Windsor. Parallélogramme. vol. 17, no. 3, p. 40-47

Canadian_Art (2010). Six to See: Vancouver’s Olympic Art Roundup. <http://www.canadianart.ca/online/features/2010/02/11/six-to-see/>Canadian Art. (February 11)

Fidelman, Charlie (1999). So people will remember, Monument's unveiling marks 10th anniversary of massacre. The Gazette. (December 6), p. A1-A3

Noble, Richard (1990). Space intruders: The Regina Billboard Project. Border Crossings. vol. 9, p. 47-50

Toronto (2008). Spadina LRT Public Art Program. <http://www.toronto.ca/culture/spadina_lrt.htm> : City of Toronto, Arts Heritage & Culture

Brown, Colleen, Philip Kevin Paul (2005). Spilled. Vancouver : Artspeak