Mooring the Vaast Bin

for a note left - and upon the velocity of it motion into the parameters in_creasing the crease of moreover behalves it becomes it in entering it } // —

Notes

Vaast Bin; n Ephemerisi is a poem-book; it's a "score." It consists of three components that cannot be extracted as an initial source for the poem-book. These three components, with all of their overlappings, are: book—with static images and words; sounds—voice and in amplification, the play of sound material that begins the procedural opening in all pores with the cognizance; and kinetic images—no less a visual poetry exploring inceptions of rolling contiguities up, abeyance via the volume and amplitude. The kinetic sound and image elements that are available for viewing, here at hyperrhiz—Kinetic Soundscape for Vaast Bin and Stills from the same kinetic images of that soundscape—belie the sounds in "the poem-book" and the visual aspects, both static and kinetic, of "the poem." Within the microcosmic level of the poem-book's building, each of the three components continued to shape any combination of the other components toward its present state. These components, in various moments of collogue, shaped "it" out—to allow for an "in" of any numerable potentials. In the crevices of the performance of these sounds and their wave modulations, one can take the necessity of their energy, and in a sense, climb into the book's structure—riding the sound waves to an "in" that's decipherable as a series of dissolving skeletal or structural guidance systems that speak with the reader/listener through that opening of one in the listening of the reading. And yet, by its very structure, not only guides them, but programs them for discoveries, which is its purpose: The inkling of expanding energies, trusting in the natural processes of the procedural unfolding. One has only to follow the "adjustment instructions." A non-lysergic, mathematical programming—which is to say, an abstraction of sorts without representation that does not replace or substitute but is that which, at the same time, stimulates a sensory poetics based upon the provocation of the loose alignment between image-sounding (and its resulting simultaneities of confluence) so that it produces connections that are unique to each experience within it. Therein, it opens not only connections, but shares one's auth path.

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Peters, Michael

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Peters, Michael