Magazine Article
Beatty, Greg
(2000). Michael Toppings : The House Project.
Artichoke. vol. 12, no. 2 (Summer) , p. 32-33
De Julio-Paquin, Jean
(2008). Michel Goulet et le 400e anniversaire de Québec.
Vie des arts. vol. 52, no. 212 (Automne) , p. 66-67
[Anonymous]
(1997). New current, an ancient stream: a water project at 1200 Alberni Street, Vancouver, BC.
Artichoke. vol. 9, no. 1 (Spring) , p. 49
Wasiak, Katherine
(2003). New Sculpture "Tower" Over Campus.
<http://www.uleth.ca/legend/pdfs/Dec03_Legend.pdf>Legend. vol. 3, no. 4 (December) , p. 5
Gray, Kate
(1995). Niche : installations publiques, interventions et performances/Public Installations, Interventions and Performances.
Espace. no. 33 (Automne - Fall) , p. 21-25
Dault, Julia
(2006). Night of the living dead: when a city not known for its blistering nightlife suddenly changes its tune, you'd best be prepared.
Toronto Life. vol. 40, no. 9, p. 124
[Anonymous]
(2008). Night watch: three years in, Nuit Blanche has grown into a 155-site beast. Five spectacles worth fighting the crowds for.(ART).
Toronto Life. vol. 42, no. 10, p. 49
Brière, Véronique Bellemare
(1998). Panique au faubourg. Un coup de foudre à l’usine.
ESSE. no. 33 (Hiver ) , p. 3-7
Connolly, Jocelyne
(2010). Pierre Leblanc. L'oeuvre intégrée à l'architecture, itération et dérivation.
Espace. no. 91 (Printemps - Spring) , p. 30-31
Cronin, Ray
(1992). Place à la nouvelle tradition: l’art public temporaire à Windsor.
Parallélogramme. vol. 17, no. 3, p. 40-47
Pontbriand, Chantal
(1992). Pour la suite du monde.
Parachute. no. 68 (Octobre - Novembre) , p. 52-53
Chagnon, Johanne
(1990). Quand le public pressé se bouscule. Quand le public assiste immobile dans le noir.
Esse. no. 15 (Printemps)
Charron, Françoise
(2003). Que faire quand c'est sublime? ou le Symposium H2O Ma Terre de Carleton.
Espace. no. 62 (Hiver - Winter) , p. 12-15
Rodriguez, Véronique
(1998). Quelques éléments sur l'insituabilité de Mémoire ardente à la place Jacques-Cartier.
Etc.. no. 42 (Juillet - Août) , p. 36-37
McKay, Sally
(2008). Relatively Remote. The Tree Museum’s Decade in the Woods.
Canadian Art. vol. 25, no. 2, p. 72-75
[Anonymous]
(1994). Rose-Marie Goulet: Deux oeuvres d’art public / Rose-Marie Goulet: Two Public Art Works.
Espace. no. 27 (Printemps - Spring) , p. 54-55
McGrath, Jerry
(1994). A Sense of Measure. Notes on Recent Works by Micah Lexier.
Parachute. no. 61, p. 43-46
[Anonymous]
(2003). Shore/Lines. Responding to Place.
Canadian Art. vol. 20, no. 2 (Summer) , p. 51-58
Cronin, Ray
(1992). Sites of New Tradition: Temporary Public Art in Windsor.
Parallélogramme. vol. 17, no. 3, p. 40-47
Noble, Richard
(1990). Space intruders: The Regina Billboard Project.
Border Crossings. vol. 9, p. 47-50
MacMillan, Laurel
(2002). Spotlight: John Dickson: the fluidity of art and life.
Canadian Art. vol. 19, p. 34-37
[Anonymous]
(1999). Street Poetry: Housing for low-income residents of Vancouver’s Downtown Eastwside.
The Canadian Architect. vol. 44, no. 8 (August) , p. 22-23
Sandals, Leah
(2007). Supporting creativity: but only for 12 hours?.
Fuse Magazine. vol. 30, no. 1, p. 43-45
Lamontagne, Valérie
(1998). Sur l’expérience de la ville.
Parachute. no. 91 (Juillet - Septembre) , p. 59-60
Gillespie, Virginia
(2010). Surrey Public and Community Art diversity, language and place making.
Diverse. no. 3 (Été-Summer)
[Anonymous]
(2006). Tablers of Content: Eduardo Aquino and Karen Shanski.
Border Crossings. vol. 25, no. 4, p. 14-15
Grande, John K.
(2003). Toronto’s New Sheppard Subway Line Art.
Sculpture. vol. 22, no. 4 (May) , p. 26-27
Dault, Gary Michael
(1998). Towards a Public Narrative.
Canadian Architect. vol. 43, no. 4, p. 20-23
McElroy, Gil
(2003). The Tree Museum, Gravenhurst, Ontario, Canada.
Sculpture. vol. 22, no. 1 (January - February) , p. 24-25
Boyer, Gilbert
(1996). Trust: An Interview with Bruno Dupont.
Art and Design. vol. 11, no. 1-2, p. 49-55