Book
Ardiel, June
(1994). Sculpture/Toronto: An Illustrated Guide to Toronto's Historic and Contemporary Sculpture with Area Maps.
Toronto : Leidra Books, p. 147
Tsang, Henry
(1991). Self Not Whole: Cultural Identity and Chinese-Canadian Artists in Vancouver. November 2-30, 1991 .
Vancouver : The Chinese Cultural Centre, p. 68
Toppings, Michael
(2002). Seven Rooms, A Prologue, a Bridge and an afterward.
Montreal : Pencil Case Press, p. 102
GROYS, Boris, Séamus Kealy, Gene Ray, Brigitte van der Sande
(2008). Signals in the Dark : Art in the Shadow of War.
Mississauga/Toronto : Blackwood Gallery/Justina M. Barnicke Gallery
Doyon, Jacques, Richard Gagnier
(2000). Singular Fission/ Fissions singulières.
Hull : Axe Néo-7, p. 31
St._Andrew’s
(1973). St. Andrew’s Place 1973. Souvenir Booklet. Commemorating the Completion of St. Andrew’s Place. The United Church of Canada. 111 Larch Street. Sudbury, Ontario.
Sudbury : The Communications Committee of the Council of St. Andrew’s United Church
Flaman, Bernard, Annette Hurtig
(2008). The Sun Never Sets : Victoria in Context.
Regina : Dunlop Art Gallery, p. 48
Fraser, Marie, Marie Perrault, Mary Jane Jacob
(1999). Sur l’expérience de la ville : interventions en milieu urbain.
Montréal : Éditions Optica
Fisette, Serge
(1997). Symposiums de sculpture au Québec 1964-1997.
Lachine : Centre de Diffusion 3D
Tree_Museum
(2008). Tenth Annual Exhibition. September 16 to October 28 2007. What Is Place, Doe Lake.
Muskoka : The Tree Museum, p. 36
Grande John K., et al
(1998). Tête des eaux=Headwaters.
L’Annonciation : Boréal Art/Nature, p. 51
Holubizky, Ihor
(1988). Toronto Sculpture Garden. Literati. Susan Schelle/Mark Gomes. July 14-September 30, 1988, .
Toronto : Toronto Sculpture Garden
Toronto_Transit
(2002). Toronto Transit Commission: Sheppard Subway Public Art Program 2002.
Toronto : Toronto Transit Commission
Balkind, Alvin
(1990). Transpositions : A Public Exhibition of Contemporary Canadian Photography.
Vancouver : Active ARTIFACTS Cultural Association, p. 51
al. Lightman E. J.
(2000). The Tree Museum 2000. Site specific installations 24 October to October 30, 2000.
Gravenhurst : The Tree Museum
Jurakic, Ivan, McElroy Gil, Margaret Rodgers
(2008). The Tree Museum. The Tenth Annual Exhibition. September 16 to October 28, 2007. What Is Place.
Gravenhurst : The Tree Museum, p. 39
Fry, Philip, Louis Cummins
(1993). Trevor Gould. Inventing a Homeland.
Ottawa : The Gallery at Arts Court/La Galerie à la Court des arts, p. 94
Sherrin, Bob
(1988). Urban Subjects.
Vancouver : The Vancouver Association for Non Commercial Culture, p. 25
Plourde, Danny
(2004). Vers quelque (sommes nombreux à être seul).
Montréal : Éditions de l'Hexagone, collection L'appel des mots, p. 22; 25; 83
Nadeau, Lisanne
(2004). Vingt ans d’intégration des arts à l’architecture et à l’environnement 1981-2001.
Québec : Culture et Communications Québec
Henry, Karen, Karen Love
(2000). War Zones.
North Vancouver : Presentation House Gallery, p. 119
Gravel, Claire
(1994). « Le fleuve-musée », Pierre Bourgault : Le fleuve-musée.
Rimouski : Musée régional de Rimouski
Book Chapter
Loubier, Patrice
(2005). Attractions de l’ordinaire sur l’œuvre de Germaine Koh.
Germaine Koh : works. Berlin : Künstlerhaus Bethanien GmBH, p. 123
Bell Farrell, Carolyn
(2000). Axis of Time.
The Tree Museum. Gravenhurst : The Tree Museum, p. 11-15
Armstrong, Jeannette
(1996). Bio-Colonization and Bio-Piracy: The Final Frontier.
Biotechnologies Public Talks no.1. Vancouver : Presentation House Gallery, p. 11-17
Mooney, Pat Roy
(1996). Civil and Uncivil Societies.
Biotechnologies Public Talks no.1. Vancouver : Presentation House Gallery, p. 1-10
Chamberland, Paul
(1992). Dans l'abstraction proliférance urbaine.
Montréal est une ville de poèmes vous savez. Montréal, Beausoleil C. : Éditions de l'Hexagone, collection Anthologies, p. 101
Massier, John
(2000). David K makes the Scene or How To Stop Worrying and Start Living.
David Kramer : Making the Scene. Toronto : Toronto Sculpture Garden
Dorion, Hélène
(1995). Figures d'oiseaux.
Sans bord, sans bout du monde. Paris : Éditions de La Différence
Jacob, Luis
(2005). Flashlight: Public Art and the Mothership Connection.
uTOpia: Towards a New Toronto. Toronto : Coah House Books
Angeline, John
(1996). Gardens for the People : Gilbert Boyer and The Urban Paradise.
Journal of Garden History : Angeline. , p. 298-309
Moore, Marianne
(1924). Ideas of Good and Evil.
Observations. New York : The Dial Press, p. 31-32