Book
Ardiel, June 
 (1994).  Sculpture/Toronto: An Illustrated Guide to Toronto's Historic and Contemporary Sculpture with Area Maps.  
Toronto : Leidra Books, p. 147
Tsang, Henry 
 (1991).  Self Not Whole: Cultural Identity and Chinese-Canadian Artists in Vancouver. November 2-30, 1991 .  
Vancouver : The Chinese Cultural Centre, p. 68
Toppings, Michael 
 (2002).  Seven Rooms, A Prologue, a Bridge and an afterward.  
Montreal : Pencil Case Press, p. 102
GROYS, Boris, Séamus Kealy, Gene Ray, Brigitte van der Sande 
 (2008).  Signals in the Dark : Art in the Shadow of War.  
Mississauga/Toronto : Blackwood Gallery/Justina M. Barnicke Gallery
Doyon, Jacques, Richard Gagnier 
 (2000).  Singular Fission/ Fissions singulières.  
Hull : Axe Néo-7, p. 31
St._Andrew’s 
 (1973).  St. Andrew’s Place 1973. Souvenir Booklet. Commemorating the Completion of St. Andrew’s Place. The United Church of Canada. 111 Larch Street. Sudbury, Ontario.  
Sudbury : The Communications Committee of the Council of St. Andrew’s United Church
Flaman, Bernard, Annette Hurtig 
 (2008).  The Sun Never Sets : Victoria in Context.  
Regina : Dunlop Art Gallery, p. 48
Fraser, Marie, Marie Perrault, Mary Jane Jacob 
 (1999).  Sur l’expérience de la ville : interventions en milieu urbain.  
Montréal : Éditions Optica
Fisette, Serge 
 (1997).  Symposiums de sculpture au Québec 1964-1997.  
Lachine : Centre de Diffusion 3D
Tree_Museum 
 (2008).  Tenth Annual Exhibition. September 16 to October 28 2007. What Is Place, Doe Lake.  
Muskoka : The Tree Museum, p. 36
Grande John K., et al 
 (1998).  Tête des eaux=Headwaters.  
L’Annonciation : Boréal Art/Nature, p. 51
Holubizky, Ihor 
 (1988).  Toronto Sculpture Garden. Literati. Susan Schelle/Mark Gomes. July 14-September 30, 1988, .  
Toronto : Toronto Sculpture Garden
Toronto_Transit 
 (2002).  Toronto Transit Commission: Sheppard Subway Public Art Program 2002.  
Toronto : Toronto Transit Commission
Balkind, Alvin 
 (1990).  Transpositions : A Public Exhibition of Contemporary Canadian Photography.  
Vancouver : Active ARTIFACTS Cultural Association, p. 51
al. Lightman E. J. 
 (2000).  The Tree Museum 2000. Site specific installations 24 October to October 30, 2000.  
Gravenhurst : The Tree Museum
Jurakic, Ivan, McElroy Gil, Margaret Rodgers 
 (2008).  The Tree Museum. The Tenth Annual Exhibition. September 16 to October 28, 2007. What Is Place.  
Gravenhurst : The Tree Museum, p. 39
Fry, Philip, Louis Cummins 
 (1993).  Trevor Gould. Inventing a Homeland.  
Ottawa : The Gallery at Arts Court/La Galerie à la Court des arts, p. 94
Sherrin, Bob 
 (1988).  Urban Subjects.  
Vancouver : The Vancouver Association for Non Commercial Culture, p. 25
Plourde, Danny 
 (2004).  Vers quelque (sommes nombreux à être seul).  
Montréal : Éditions de l'Hexagone, collection L'appel des mots, p. 22; 25; 83
Nadeau, Lisanne 
 (2004).  Vingt ans d’intégration des arts à l’architecture et à l’environnement 1981-2001.  
Québec : Culture et Communications Québec
Henry, Karen, Karen Love 
 (2000).  War Zones.  
North Vancouver : Presentation House Gallery, p. 119
Gravel, Claire 
 (1994).  « Le fleuve-musée », Pierre Bourgault : Le fleuve-musée.  
Rimouski : Musée régional de Rimouski
Book Chapter
Loubier, Patrice 
 (2005).  Attractions de l’ordinaire sur l’œuvre de Germaine Koh.  
Germaine Koh : works. Berlin : Künstlerhaus Bethanien GmBH, p. 123
Bell Farrell, Carolyn 
 (2000).  Axis of Time.  
The Tree Museum. Gravenhurst : The Tree Museum, p. 11-15
Armstrong, Jeannette 
 (1996).  Bio-Colonization and Bio-Piracy: The Final Frontier.  
Biotechnologies Public Talks no.1. Vancouver : Presentation House Gallery, p. 11-17
Mooney, Pat Roy 
 (1996).  Civil and Uncivil Societies.  
Biotechnologies Public Talks no.1. Vancouver : Presentation House Gallery, p. 1-10
Chamberland, Paul 
 (1992).  Dans l'abstraction proliférance urbaine.  
Montréal est une ville de poèmes vous savez. Montréal, Beausoleil C. : Éditions de l'Hexagone, collection Anthologies, p. 101
Massier, John 
 (2000).  David K makes the Scene or How To Stop Worrying and Start Living.  
David Kramer : Making the Scene. Toronto : Toronto Sculpture Garden
Dorion, Hélène 
 (1995).  Figures d'oiseaux.  
Sans bord, sans bout du monde. Paris : Éditions de La Différence
Jacob, Luis 
 (2005).  Flashlight: Public Art and the Mothership Connection.  
uTOpia: Towards a New Toronto. Toronto : Coah House Books
Angeline, John 
 (1996).  Gardens for the People : Gilbert Boyer and The Urban Paradise.  
Journal of Garden History : Angeline. , p. 298-309
Moore, Marianne 
 (1924).  Ideas of Good and Evil.  
Observations. New York : The Dial Press, p. 31-32


