Article de revue
Charron, Françoise
(2003). Que faire quand c'est sublime? ou le Symposium H2O Ma Terre de Carleton.
Espace. no. 62 (Hiver - Winter) , p. 12-15
Rodriguez, Véronique
(1998). Quelques éléments sur l'insituabilité de Mémoire ardente à la place Jacques-Cartier.
Etc.. no. 42 (Juillet - Août) , p. 36-37
McKay, Sally
(2008). Relatively Remote. The Tree Museum’s Decade in the Woods.
Canadian Art. vol. 25, no. 2, p. 72-75
[Anonymous]
(1994). Rose-Marie Goulet: Deux oeuvres d’art public / Rose-Marie Goulet: Two Public Art Works.
Espace. no. 27 (Printemps - Spring) , p. 54-55
McGrath, Jerry
(1994). A Sense of Measure. Notes on Recent Works by Micah Lexier.
Parachute. no. 61, p. 43-46
[Anonymous]
(2003). Shore/Lines. Responding to Place.
Canadian Art. vol. 20, no. 2 (Summer) , p. 51-58
Cronin, Ray
(1992). Sites of New Tradition: Temporary Public Art in Windsor.
Parallélogramme. vol. 17, no. 3, p. 40-47
Noble, Richard
(1990). Space intruders: The Regina Billboard Project.
Border Crossings. vol. 9, p. 47-50
MacMillan, Laurel
(2002). Spotlight: John Dickson: the fluidity of art and life.
Canadian Art. vol. 19, p. 34-37
[Anonymous]
(1999). Street Poetry: Housing for low-income residents of Vancouver’s Downtown Eastwside.
The Canadian Architect. vol. 44, no. 8 (August) , p. 22-23
Sandals, Leah
(2007). Supporting creativity: but only for 12 hours?.
Fuse Magazine. vol. 30, no. 1, p. 43-45
Lamontagne, Valérie
(1998). Sur l’expérience de la ville.
Parachute. no. 91 (Juillet - Septembre) , p. 59-60
Gillespie, Virginia
(2010). Surrey Public and Community Art diversity, language and place making.
Diverse. no. 3 (Été-Summer)
[Anonymous]
(2006). Tablers of Content: Eduardo Aquino and Karen Shanski.
Border Crossings. vol. 25, no. 4, p. 14-15
Grande, John K.
(2003). Toronto’s New Sheppard Subway Line Art.
Sculpture. vol. 22, no. 4 (May) , p. 26-27
Dault, Gary Michael
(1998). Towards a Public Narrative.
Canadian Architect. vol. 43, no. 4, p. 20-23
McElroy, Gil
(2003). The Tree Museum, Gravenhurst, Ontario, Canada.
Sculpture. vol. 22, no. 1 (January - February) , p. 24-25
Boyer, Gilbert
(1996). Trust: An Interview with Bruno Dupont.
Art and Design. vol. 11, no. 1-2, p. 49-55
Canadian_architect
(2010). Vancouver Biennale announces Jaume Plensa's new work entitled We.
Canadian architect . vol. 54, no. 4 (January 16)
Gustafson, Paula
(2000). Vancouver International Sculpture Project 2000.
Espace . no. 53 (Automne - Fall) , p. 27-31
Lisse, Michel
(2009). Vérité de la démocratie: appelez Nietzsche 68-08.
Spirale. no. 226 (Mai-Juin) , p. 28-29
Price, Gordon
(2005). A Walk with Barbara Cole. Art public.
<http://www.sightline.org/publications/enewsletters/price_tags/price-tags-77-public-art-tour>Sightline.
Charron, Françoise
(2003). What to do with the sublime? or Symposium H2O Ma Terre at Carleton.
Espace. no. 62 (Winter) , p. 12-15
Chen, Millie
(2005). When the forest moves: an installation by Warren Quigley in Toronto Sculpture garden 10 May-30 July 1995.
Performance Research. vol. 11, no. 3 (September) , p. 28-34
Article de journal
Siag, Jean
(2012). Le TNM inaugure sa murale.
<http://www.lapresse.ca/arts/spectacles-et-theatre/theatre/201210/17/01-4584195-le-tnm-inaugure-sa-murale.php>La Presse.
LeDevoir
(2012). MUrale de mots et de lumière.
<http://www.ledevoir.com/culture/actualites-culturelles/361562/murale-de-mots-et-de-lumiere>Le Devoir. 17 octobre
Journal_Métro
(2012). Une nouvelle murale inaugurée à Montréal.
<http://journalmetro.com/actualites/montreal/173963/une-nouvelle-murale-inauguree-a-montreal/>Journal Métro. 16 octobre
Thèse