Bibliography

Exporter 785 résultats :
Article de revue
Charron, Françoise (2003).  Que faire quand c'est sublime? ou le Symposium H2O Ma Terre de Carleton. Espace. no. 62 (Hiver - Winter) , p. 12-15
Rodriguez, Véronique (1998).  Quelques éléments sur l'insituabilité de Mémoire ardente à la place Jacques-Cartier. Etc.. no. 42 (Juillet - Août) , p. 36-37
McWilliams, Al (1983).  Recent Sculpture. TCR- The Capilano Review. vol. 1, no. 27
McKay, Sally (2008).  Relatively Remote. The Tree Museum’s Decade in the Woods. Canadian Art. vol. 25, no. 2, p. 72-75
Goulet, Michel (2008).  Rêver le nouveau monde. Espace. no. 85 (Automne - Fall) , p. 21-24
[Anonymous] (1994).  Rose-Marie Goulet: Deux oeuvres d’art public / Rose-Marie Goulet: Two Public Art Works. Espace. no. 27 (Printemps - Spring) , p. 54-55
University_of_Lethbrigde (2004).  Sculpture Lit. U of L Journal. vol. 8, no. 1, p. 9
McElroy, Gil (2004).  Sculpture Toronto. Espace . no. 68 (Été - Summer) , p. 5-13
McGrath, Jerry (1994).  A Sense of Measure. Notes on Recent Works by Micah Lexier. Parachute. no. 61, p. 43-46
[Anonymous] (2003).  Shore/Lines. Responding to Place. Canadian Art. vol. 20, no. 2 (Summer) , p. 51-58
Cronin, Ray (1992).  Sites of New Tradition: Temporary Public Art in Windsor. Parallélogramme. vol. 17, no. 3, p. 40-47
Noble, Richard (1990).  Space intruders: The Regina Billboard Project. Border Crossings. vol. 9, p. 47-50
MacMillan, Laurel (2002).  Spotlight: John Dickson: the fluidity of art and life. Canadian Art. vol. 19, p. 34-37
Beaudet, Pascale (1990).  Stations…de métro. ETC. no. 11 (Printemps) , p. 42-43
[Anonymous] (1999).  Street Poetry: Housing for low-income residents of Vancouver’s Downtown Eastwside. The Canadian Architect. vol. 44, no. 8 (August) , p. 22-23
Sandals, Leah (2007).  Supporting creativity: but only for 12 hours?. Fuse Magazine. vol. 30, no. 1, p. 43-45
Lamontagne, Valérie (1998).  Sur l’expérience de la ville. Parachute. no. 91 (Juillet - Septembre) , p. 59-60
Gillespie, Virginia (2010).  Surrey Public and Community Art diversity, language and place making. Diverse. no. 3 (Été-Summer) 
[Anonymous] (2006).  Tablers of Content: Eduardo Aquino and Karen Shanski. Border Crossings. vol. 25, no. 4, p. 14-15
Rhodes, Richard (1988).  Toronto Sculpture Garden. Artforum International. vol. 27, p. 156
Grande, John K. (2003).  Toronto’s New Sheppard Subway Line Art. Sculpture. vol. 22, no. 4 (May) , p. 26-27
Dault, Gary Michael (1998).  Towards a Public Narrative. Canadian Architect. vol. 43, no. 4, p. 20-23
McElroy, Gil (2003).  The Tree Museum, Gravenhurst, Ontario, Canada. Sculpture. vol. 22, no. 1 (January - February) , p. 24-25
Boyer, Gilbert (1996).  Trust: An Interview with Bruno Dupont. Art and Design. vol. 11, no. 1-2, p. 49-55
Loubier, Patrice (2003).  Un art public inostensible. Espace. no. 65 (Automne - Fall) , p. 27-30
Gauthier, Ninon (1993).  Un obélisque libre. Parcours. no. 9 (Printemps) , p. 76-77
Canadian_architect (2010).  Vancouver Biennale announces Jaume Plensa's new work entitled We. Canadian architect . vol. 54, no. 4 (January 16) 
Gustafson, Paula (2000).  Vancouver International Sculpture Project 2000. Espace . no. 53 (Automne - Fall) , p. 27-31
Lisse, Michel (2009).  Vérité de la démocratie: appelez Nietzsche 68-08. Spirale. no. 226 (Mai-Juin) , p. 28-29
Mills, Josephine (2000).  War Zones. Parachute. no. 97, p. 49-50
Sherrin, Bob, Keith Bell (1999).  War Zones. Blackflash. vol. 17, p. 12-19
Charron, Françoise (2003).  What to do with the sublime? or Symposium H2O Ma Terre at Carleton. Espace. no. 62 (Winter) , p. 12-15
Chen, Millie (2005).  When the forest moves: an installation by Warren Quigley in Toronto Sculpture garden 10 May-30 July 1995. Performance Research. vol. 11, no. 3 (September) , p. 28-34
Skelton, Carl (2003).  Will Is Was. C Magazine. no. 77 (Spring) , p. 2-3
Reid, Mary (2009).  Winnipeg With Art. Espace . no. 88 (Summer) , p. 20-23
Article de journal
Thèse
Grande, John K. (1997).  Armand Vaillancourt’s Social Sculpture. Montréal : Concordia, p. 74