(1988). Murs et murales, Ville Saint-Laurent.
Ville Saint-Laurent : Éditions du Trécarré
(2002). Museopathy.
Kingston : Agnes Etherington Art Centre (Queen’s University) , p. 110
(1995). Niche: installations, interventions, performances. April 22-May 20, 1995.
Guelph : The Install Art Collective
(2008). Open Engagement: Art After Aesthetic Distance.
Regina : University of Regina
(2007). Open Engagement: Art After Aesthetic Distance Post-Conference Catalogue .
Regina : University of Regina
(2002). Open Hours. An Exhibition by Germaine Koh, September 1 through October 20, 2002.
: McMaster Museum of Art, p. 32
(2003). Open Spaces : Vancouver International Sculpture Project, Third Biennale.
Vancouver : Buschlen Mowatt Fine Arts, p. 30
(1993). Out of Place.
Vancouver : Association for Noncommercial Culture
(1997). Panique au faubourg.
Montréal : Édition Quartier Éphémère
(2001). Passe-Passe, Livret d’exposition.
Montréal : Maison de la culture Plateau Mont-Royal
(2002). Phil Morrison. New Work.
Prince George : Two Rivers Gallery
(2008). Poems for a Small Park .
<http://www.aupress.ca/books/120149/ebook/99Z_Blodgett_2008-Poems_for_a_Small_Park.pdf>Edmonton : AU Press, Athabasca University
(1993). The post-colonial landscape: a billboard exhibition.
Saskatoon : Mendel Art Gallery, p. 12
(1992). Pour la Suite du monde.
Montréal : Éditions Musée d’art contemporain de Montréal
(1993). Privé/public: art et discours social = Private/Public : Art and Social Discourse.
Winnipeg : The Winnieg Art Gallery, p. 68
(1994). A Project for Surrey and Other Site-Specific Works.
Surrey : Surrey Art Gallery, p. 47
(2005). Projets, archives et documents.
Montréal : Centre de diffusion 3D, p. 78
(2009). Public Art in Vancouver. Angels Among Lions.
Vancouver : TouchWood Editions, p. 176
(1988). Public work John McEwen.
Lethbridge : Lethbridge Southern Alberta Art Gallery , p. 64
(2004). RE:cycle.
Hamilton : McMaster University, p. 16
(2007). Realizing the Impossible : Art against Authority.
Oakland : Ak Press
(2005). The Red Sash.
Toronto : Groundwood Books, p. 40
(1948). Refus Global.
Montréal : Éditions Mythra-Mythe
(1990). The Regina Billboard Project.
Regina : University of Regina
(2006). The Release. Simon Frank, Dave Hind, Ivan Jurakic, Tor Lukasik-Foss. Royal Botanical Gardens, Hendrie Park Garden. August 13-October 9, 2005.
Hamilton : TH&B collective projects
(2005). Répertoire des monuments historiques et plaques commémoratives de Trois-Rivières.
Trois-Rivières : Société de conservation et d'animation du patrimoine de Trois-Rivières
(2008). Rêver le nouveau monde.
Montréal : Galerie Simon Blais; Ville de Montréal; Galerie de l'UQAM, p. 69
(2008). Ron Benner : Jardins d’un présent colonial.
London : Museum London, p. 182
(1995). Ron Benner : All That Value.
London (ON) : McIntosh Art Gallery, University of Western Ontario, p. 64
(2003). Ron Benner: Trans/mission.
Saint-Hyacinthe : Expression, Centre d’exposition de Saint-Hyacinthe
(1987). Sans Démarcation.
Toronto : Visual Arts Ontario, p. 36
(2002). Scenic View 2001 to 2002: Anne O’Callaghan.
Bowmanville : Visual Arts Centre of Clarington
(1994). Sculpture/Toronto: An Illustrated Guide to Toronto's Historic and Contemporary Sculpture with Area Maps.
Toronto : Leidra Books, p. 147
(2004). Sculptures urbaines.
Montréal : Centre d'art public
(1991). Self Not Whole: Cultural Identity and Chinese-Canadian Artists in Vancouver. November 2-30, 1991 .
Vancouver : The Chinese Cultural Centre, p. 68
(2002). Seven Rooms, A Prologue, a Bridge and an afterward.
Montreal : Pencil Case Press, p. 102
(2003). Shore/lines : Responding to Place.
Barrie : MacLaren Art Centre, p. 64
(2008). Signals in the Dark : Art in the Shadow of War.
Mississauga/Toronto : Blackwood Gallery/Justina M. Barnicke Gallery
(2000). Singular Fission/ Fissions singulières.
Hull : Axe Néo-7, p. 31
(2005). Spilled.
Vancouver : Artspeak
Syndicate
