2000
Henry, Karen, Karen Love
(2000). War Zones.
North Vancouver : Presentation House Gallery, p. 119
Morasse, Anne
(2000). Francine Larivée : Le jardin (The Secret Garden).
Espace. no. 53 (Automne) , p. 9-11
Daigneault, Gilles
(2000). Mentionnons, pour mémoire….
Espace. no. 51 (Printemps - Spring) , p. 32-34
Vaughan, R. M.
(2000). Logo City. Blackwood Gallery and University of Toronto Erindale campus. Toronto.
Azure. vol. 16, no. 131, p. 40
CCCA
(2000). Robin Collyer.
<http://www.ccca.ca/artists/artist_info.html?languagePref=fr&link_id=187&artist=Robin+Collyer>
Massier, John
(2000). David K makes the Scene or How To Stop Worrying and Start Living.
David Kramer : Making the Scene. Toronto : Toronto Sculpture Garden
Bell Farrell, Carolyn
(2000). Axis of Time.
The Tree Museum. Gravenhurst : The Tree Museum, p. 11-15
Mastai, Judith
(2000). Art on the street: it comes in all shapes and sizes. So does its audience. Judith Mastai looks at several recent major exhibitions of public art in Vancouver and asks: who is it for, and why?.
Canadian Art. vol. 17, no. 4, p. 60
Doyon, Jacques, Richard Gagnier
(2000). Singular Fission/ Fissions singulières.
Hull : Axe Néo-7, p. 31
al. Lightman E. J.
(2000). The Tree Museum 2000. Site specific installations 24 October to October 30, 2000.
Gravenhurst : The Tree Museum
Irvin, Sherri, Cathy Busby
(2000). Escape Fantasies. Survival in the Diefenbunker.
C Magazine. , p. 24-33
Toronto
(2000). City of Toronto celebrates public art in the Jane-Finch area.
<http://wx.toronto.ca/inter/it/newsrel.nsf/11476e3d3711f56e85256616006b891f/7f163fb8d009f37585256df6004631e0?OpenDocument > October 16 : City of Toronto
Beatty, Greg
(2000). Michael Toppings : The House Project.
Artichoke. vol. 12, no. 2 (Summer) , p. 32-33
Grande, John K.
(2000). L’œuvre/site comme échange et action.
Espace. no. 50 (Hiver - Winter) , p. 27-32
Craddock, Sacha
(2000). Ken Lum, There is no place like home.
<http://www.mip.at/creations/there-is-no-place-like-home>(October) : Museum in progress
Saint-Amour, Yohann
(2000). Les mots nous regardent. J’avance en poésie comme un cheval de trait.
Ski-se-Dit. vol. XXXIV, no.5, p. 10
Gustafson, Paula
(2000). Vancouver International Sculpture Project 2000.
Espace . no. 53 (Automne - Fall) , p. 27-31
Mavrikakis, Nicolas
(2000). Mathieu Beauséjour : Le diable au corps.
Voir. 14(7 décembre), p. 99
Goulet, Rose-MArie, Marie-Claude Robert
(2000). Monument à la mémoire des victimes de la tragédie de l'École Polytechnique.
Paysages. (Février), p. 6-9
Shinhat, Molly Amoli K.
(2000). The Show That Came in From the Cold.
Ottawa X-Press. (October 12)
Zdeb, Chris
(2000). Life:…as art among the classified ads.
Edmonton Journal. (October 23), p. C1
2001
Loubier, Patrice, Anne-Marie Ninacs
(2001). Les Commensaux: When Art Becomes Circumstance.
Montréal : Centre des arts actuels SKOL
Martin, Sébastien
(2001). Passe-Passe, Livret d’exposition.
Montréal : Maison de la culture Plateau Mont-Royal
Newman, Holly
(2001). Garden Grow, 2001.
<http://www.hollynewman.ca/projects/gardengrow/gardengrow1.htm> : Holly Newman webpage
Brayshaw, Christopher
(2001). Christos Dikeakos, Noel Best : Lookout.
vol. 79Vancouver : Christos Dikeakos
Fabb, Jeane, Lorraine Gilbert, Daniel Poulin
(2001). Forêt-frontière. Une action art/nature.
L’Annonciation : Boréal Art/Nature, p. 69
Korp, Maureen
(2001). Singular Fissions. Art in a Cold War Bunker.
dART INTERNATIONAL. , p. 24-27; 50
Loubier, Patrice
(2001). Enigmes, offrandes, virus : formes furtives dans quelques pratiques actuelles/Enigmas, Offerings, Virus : Furtive Forms in Some Current Practices.
Parachute. vol.2, no. 101 (Janvier-Mars) , p. 99-105
Beaudet, Pascale
(2001). Gilbert Poissant arrêts sur l’espace.
Mont-Saint-Hilaire; Longueuil : Musée d’art de Mont-Saint-Hilaire; Plein sud: Centre d'exposition et d'animation en art actuel à Longueuil