Sandy Baldwin’s work imagines the future of literary studies in a digital age. As coordinator of the Center for Literary Computing, he facilitates interdisciplinary research projects in the poetics of new media and the media ecology of literary institutions, using web-technologies, multimedia, hypertext, audio/video, and virtual environments. Sandy’s scholarly work explores media technologies as rhetorical and aesthetic objects, asking how media structure our thought and experience. His particular focus is on continuities and borrowings between literary theory and theories of digital multimedia. Current research areas include: net art as a literary genre, avant-garde writing as a precursor of multimedia, the narrativity of computer games, and the cultural implications of nanotechnology (see his essay in Culture Machine).