In Discourse, Figure, Jean-François Lyotard defines a good book, as “a book to be grazed,” that is, one where “the reader could dip into anywhere, in any order.”
Starting from that premise, this talk aims at examining how the digital processes have enhanced a form of reading as “grazing”.
It focuses on the way contemporary print and digital narratives are told in fragments and vignettes that are constantly being (re)composed as they are read.
In Discourse, Figure, Jean-François Lyotard defines a good book, as “a book to be grazed,” that is, one where “the reader could dip into anywhere, in any order.”
<span class="biblio-authors" >Le Cor, Gwen</span>. 2016. « <span class="biblio-title" >Narrating "Frag-ments. Frags. Fr. ments," grazing fragments</span> ». Dans le cadre de <span style="font-style: italic;">Narrations contemporaines: écrans, médias et documents/ Contemporary Narratives: Screens, Media and Documents</span>. Colloque organisé par Leverhulme International Network for Contemporary Studies/ Chaire de recherche du Canada sur les arts et la littérature numériques. Montréal, Université du Québec à Montréal, 29 avril 2016. Document audio. En ligne sur le site de l’Observatoire de l’imaginaire contemporain. <https://oic.uqam.ca/fr/communications/narrating-frag-ments-frags-fr-ments-grazing-fragments>. <span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rft.title=Narrating+%26quot%3BFrag-ments.+Frags.+Fr.+ments%2C%26quot%3B+grazing+fragments&rft.date=2016&rft.aulast=Le+Cor&rft.aufirst=Gwen&rft.pub=Leverhulme+International+Network+for+Contemporary+Studies%2F+Chaire+de+recherche+du+Canada+sur+les+arts+et+la+litt%C3%A9rature+num%C3%A9riques&rft.place=Montr%C3%A9al%2C+Universit%C3%A9+du+Qu%C3%A9bec+%C3%A0+Montr%C3%A9al"></span>