A concrete wall features a series of drawers like those used in archival filing. A square plate seems to jump out of one of the drawers. Numbers 1 to 16 appear on it. A grille is superimposed onto thi
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Sculptural grouping consisting in four small components on which architectural motifs appear - volutes, banister, railing. Two larger components are also installed. A leafy tree and a samara are embed
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Three cast concrete Italian-style benches serve as a framing device for an image of a 16th century fountain projected onto a sheet of clear plexiglass.
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A sculptural installation consisting of two glass-roofed pavilions separated by approximately 120 metres. The elliptical roof of each pavilion is supported by two walls made of stainless steel with cu
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Artwork creator(s):
Best, Noel (architect by profession); Dikeakos, Christos (artist by profession)
Sixteen in-ground markers and four above-ground markers are installed along the paths of four historical streams that once existed in Kitsilano. Each of the in-ground markers has the words LOST STREAM
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Sculptural and environmental installation featuring a floor mosaic, a suspended sculpture and a high relief affixed to the ceiling of the rotunda. First, a polychromic mosaic on the ground represents
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Two sculptural elements are installed along the False Creek shoreline, between the Burrard and Granville bridges, and below the pump station: a circle of stones and a concrete ring resting on columns.
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Monument commemorating the district of Pointe-Saint-Charles and its inhabitants. It is shaped like a boat, evoking maritime transfers. Three wooden beams support a triangular element. Its three layers
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The bases of steel and concrete columns have been covered in mosaic tiles depicting a variety of colourful flowers to create a "garden". Individual hand-crafted, textured tiles have been applied aroun
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A series of connecting high and low pools, with a waterfall made of overlapping black slate. A large glacial boulder sits in the upper pool and an identical cast bronze replica sits in the lower pool.
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Steel sheets were covered with anti-war messages. They also featured a list of 32 companies in the Montreal area that may be involved in the arms trade, according to the artist.
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A semi-circle of shattered glass screens with etched leaves is visible from the street and lit at night. In the courtyard is a 4,500 sq. ft. leaf-shaped pool; situated around it are black granite seat
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20-ft high structure consisting of 390 individually cast, intertwining aluminum rings in 3 columns representing the Donors, the Foundation and its Recipients
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/index.jpg "Richard Purdy, L’inversion du monde, 1989. © Matt Mclauchlin")
