Any of a large group of substances that typically show a characteristic luster, are good conductors of electricity and heat, are opaque, can be fused, and are usually malleable or ductile.
Terra Incognita links the Ocean Park Library with its garden, bringing the garden inside and the library outside. The classical interior architecture of the building lends itself well to the large, cl
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Artwork creator(s):
Curry, Gwen
The artwork consists of a sculptural installation with one part located inside the building and another part, outside.Inside, a large white panel is installed on a black painted wall. It creates a t
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Artwork creator(s):
Cotton, Claudine
This artwork is a delicate metal bas-relief with plexiglas inserts. The white sections light up at night.
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Artwork creator(s):
Thomas, Lionel; Thomas, Patricia; Lachnit, F.
Sculpture ,
Permanent,
Interior,
Public services,
Integration of art and architecture,
Linear,
Metal,
Aluminum,
Varnish,
Wood,
Brass
Sculpture consisting of two elements reproducing on a large scale the specific motifs of an Inuit string game and of a brass inlay work installed in the floor's surface. In the Inuit language, the wor
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Artwork creator(s):
Bourgault, Pierre
Totem made of washer-dryers
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Artwork creator(s):
Morrison, Phil
A form reminiscent of a dyke remnant rests on the grassy plane. On one side, deposits of text and images are left on the wall, almost like watermarks from the recession of high water held back by the
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Artwork creator(s):
Anholt, Jill
Installation and intervention ,
Temporary,
Exterior,
Thoroughfare,
Event,
Excerpt,
Linear,
Out of Place,
Metal,
Acrylic,
Glass,
Paper,
Wood
This installation was placed in the back of a truck and moved to 4 different locations during the summer of 1992
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Artwork creator(s):
Holman, Shaira; Jones, Lizard; Sui, River
Neon letters welcome passengers as they wait for their luggage. From the chaos of the jumbled letters, words emerge. America, Europa, Asia, Oceania, Africa. As the harmony between the letters that com
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Artwork creator(s):
Plensa, Jaume
The poems are engraved in the languages spoken during Edmonton's early days - English, French, Cree, Chinese, Ukrainian and a Métis dialect.
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Artwork creator(s):
Blodgett, E.D.
The refrain from Edgar Allan Poe's poem applied to a wind-spun metal sign repeats an eerie mantra of perpetual loss.
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Artwork creator(s):
Koh, Germaine
