Recherche dans la filmographie: Différé

«By clicking on a character a QuickTime movie appears which tell us their story and leads the user on a mysterious journey . Unlike film or video, it is a work that, is designed to be experienced more than once, since each time it is played, the user can choose a different route and discover new ways to interpret the characters.» (www.zoebeloff.com)

«Cross Currents explores the traffic in human beings, specifically the sex trade, sweeping Europe and exploiting, amongst other victims, refugees from former Yugoslavia. These refugees, lured by false advertisements and enticements, find themselves forced to work as prostitutes in the hotels and streets of Berlin and other European cities. The work explores these issues through an interactive narrative dealing with the relationship between a young Croatian mail-order bride and her Serbian body guard.

Le Salon des ombres permet un dialogue entre quatre personnages fictifs et des personnes réelles. L'interaction avec les personnages peut donner lieu à des débats sur des thèmes politiques, philosophiques, scientifiques ou sociologiques. L'intensité des discussions s'organise soit de façon automatique ou selon l'interaction des spectateurs.

Le spectateur peut naviguer dans l'espace virtuel en appelant un numéro apparaissant aux embranchements du parcours.

Le spectateur peut interagir avec Paula Dawson à travers une série de questions affichées à l'écran.

«Utilisant comme interface un objet virtuel tridimensionnel en forme de vêtement, le spectateur-joueur explore une relation gestuelle et sensible avec un corps chorégraphié.»
(www.jouable.net)

“This is a story about a woman who is haunted by circling images, trapped in violence. She asks you to enter her experience and her search for release.”
(http://ninamenkes.com)

«Mélanie is a fifteen year-old of the memoriam She steals her mother’s Meteor every chance she gets and drives away from her mother’s lover Lorna and towards the dawn. »

«This CD ROM is an interactive investigation into the life of Rosalind Brodsky (with whom I share similar Anglo/Eastern European/Jewish roots), a delusional time traveller who believes herself to be working at the Institute of Militronics and Advanced Time Interventionality in the 21st century. Your journey takes the form of a tour organised by the Institute in memory of Brodsky's contribution to time travel research.» (www.annenberg.edu)

«Place Ruhr is a personnal portrait of the Ruhr valley, and the virtual landscape that is its stage, performers present to the exploring viewer, the past, present, and future transmutations of its geographical and geological patrimony into a profound arena of human exigengy» (New Screen Media)