A precise recreation of Toronto’s official nuclear fallout shelter, built in 1962 at the height of Cold War tension, allowed Torontonians to explore the interior of the shelter as it was before it was
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24 plates have been moulded into the gullies that are created by ground erosion (through the movements of pedestrians). The sentences on the plates are taken from conversations with the pedestrians.
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A series of seven rusted metal pedestals in which the letters of the word “Babylon” are formed as interior voids. Mounted atop one pedestal is a large urn set at a tilt, and atop another is one of McE
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Action art based on a mail art activity. Five models of postcards were distributed in Montreal, Val-David and other places. A black & white photograph representing the artist's two children,
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This work features a photograph Hassan took on her first visit to Baghdad, Iraq, in the late 1970s, when she studied Arabic at the University of Mustansyria. The photo shows the colourfully tiled dome
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The project acts as a mediated dialogue between three artists from Kitchener, Ontario, Canada, and three artists from Berlin, Germany. Prior to 1916, the city of Kitchener was known as Berlin. In
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A love poem is scattered across paper clippings and, from them, a gift is made by hand. Bystander involves a "performance for scanner", presented in three chapters on video monitors – with a charming
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A quantity of coin-like metal slugs, each engraved with the single word "bon" or "bien", are sent into circulation as an alternative form of currency.
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A large meeting table constructed of snow and ice bears a simplified map of Regina. Various city buildings and infrastructure are represented in moveable ice blocks, which participants are invited to
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