On a wall of the museum, a mural of aluminum plates displays the names of thirty writers. A steel inkwell is installed near the wall.Lecterns are arranged along a trail. On these lecterns, aluminum pl
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Sculptural montage consisting of a series of stained-glass panels and components that are inserted between the mullions of the old windows and on the walls of the three protruding vestibules tha
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The artwork consists of a granite bench, 26 slabs embedded in the ground and 4 small bronze pieces grafted to the Maison des Éclusiers. The bench reproduce the shape of Ilot Normandin, a small island
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Sculptural and environmental installation featuring a floor mosaic, a suspended sculpture and a high relief affixed to the ceiling of the rotunda. First, a polychromic mosaic on the ground represents
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The piece can be found along the foundation of the building, on the waterfront walkway between Nicola and Cardero Streets. It is made of stones, plaques and objects cast in bronze that refer to the hi
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Two sculptural elements are installed along the False Creek shoreline, between the Burrard and Granville bridges, and below the pump station: a circle of stones and a concrete ring resting on columns.
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Sculptural installation consisting of nine wall ornaments decorating the walls of a stairwell. A circular panel is placed on a wall pierced with nine small square windows. Above the first row of windo
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A hologram is installed in a pit in the floor. The holographic image shows three types of signs representative of the languages used by humans throughout history: the hieroglyphics of ancient Egypt, a
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A granite cube dotted with holes. When viewers approach and look inside the holes, they can read names and sentences. The artwork was developed around the idea of opposites: visibility/invisibility, i
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Two fake windows and moldings of architectural elements of the 1892 building are installed on the ceiling. Behind this construction, collages of architectural components are intertwined with fragments
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/index.jpg "Richard Purdy, L’inversion du monde, 1989. © Matt Mclauchlin")
