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Recherche dans la filmographie: Player, Exécution

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Kris Kross: Make My Video

Référence filmographique
Année/date de parution: 
1992
Editeur: 
Sony Imagesoft
"Kris Kross: Make My Video lets fans of the duo's music create videos from three different songs: "Jump," "Warm It Up," and "I Missed the Bus." Players can select from a number of visuals, including videos of the band, stock footage (collapsing houses and ballet dancers), and movie and TV clips, and infuse the presentation with dozens of special effects, including slice, dice, mirror, slow, freeze, lyrics, and pixilate.

INXS: Make My Video

Référence filmographique
Année/date de parution: 
1993
Editeur: 
Sega of America
"Produce a video for the Australian multi-hit band, INXS. You'll be ready for MTV by using real video footage, 30 special effects, and three hits to choose from. Create a video the band would be proud of with such songs as "Heaven Sent," "Baby Don't Cry," and "Not Enough Time." Choose to play through U-Direct, where you can call the shots, or EditChallenge where you're offered choices of how to cut your video." (Rotten Tomatoes)

Marky Mark and the Funky Bunch: Make My Video

Référence filmographique
Année/date de parution: 
1992
Editeur: 
Sega of America
"Edit three of Marky Mark and the Funky Bunch's videos: Good Vibrations, You Gotta Believe, and I need Money. The game is broken up into two separate types of play. In EditChallenge, you must edit the videos according to the tastes of a boxer, a bunch of guys, a group of girls, or a couple of parents. Each of the four sets of characters has distinct ideas about what to expect in a video. The U-Direct mode, which is just for fun and has no time limit or competitive aspect, is more open in terms of creativity; you focus solely on creating the video you want to see and hear." (All Game Guide)

De l’effort

Référence filmographique
Artiste(s)/Concepteur(s): 
ABAD, Donald
Année/date de parution: 
2002
«En s'équipant de gants et de lunettes, le visiteur volontaire s'engage dans un duel -faussement virtuel avec un boxeur. Plus le joueur donne de coups, plus il repousse symboliquement son opposant [ralentissement puis disparition de l'image vidéo, assourdissement du son]. Par contre, toute passivité du joueur engendrera un déchaînement de violence visuelle et sonore, jusqu'à s'en prendre "plein la gueule". Les visiteurs de l'exposition deviennent alors le public d'un ring où s'épuise un spectateur joueur- boxeur solitaire.» (www.ensad.fr)

Fit

Référence filmographique
Artiste(s)/Concepteur(s): 
RITTER, Don
Année/date de parution: 
1993
«Audiences encounter a video projection of an aerobics instructor who stands in silence until a viewer approaches. When a viewer moves in front of the projection and into the spotlight, the instructor begins exercising to music. If a viewer stops moving, the instructor also stops exercising and the music becomes silent. Each time a viewer begins moving his or her body, the instructor begins a new exercise with music. If a viewer exercises non-stop, the music and the instructor’s exercising will increase in tempo until an absurdly fast level is reached.»

Vox Populi

Référence filmographique
Artiste(s)/Concepteur(s): 
RITTER, Don
Année/date de parution: 
2005
«Vox Populi provides anyone with an opportunity to control the masses through public speechs. A video projected crowd of 28 people yells “speech, speech” and encourages visitors to speak from a lectern equipped with a microphone and a teleprompter that displays the text of historical political speeches.