Recherche dans la filmographie: Horreur, Lieux

"After Gabriel's discovery of his ancestral line of the Schattenjaegers or shadow hunters, he returns to the Ritter castle in Germany to reflect on his root. This tranquility is soon disrupted when a mysterious murder by what the locals called a werewolf like creature occurs." (Adventure Collective)

"You're Curtis Craig, a regular guy with a small apartment, steady job and steady girlfriend. You're also Curtis Craig, former nutcase with a history of mental problems. You're in the process of going nuts again – at least you think you are. After all, who can really tell?" (All Game Guide)

"Corpse Killer is a full-motion video shoot-'em up. You play as an elite special forces soldier, who parachutes onto a remote tropical island. It seems the evil genius Dr. Hellman has found a way to raise the dead, and created an island of zombies. It's up to you to shoot your way through the undead hordes and stop Dr. Hellman." (MobyGames)

"[An] action/adventure game that gets all its inspiration from the many cult horror B-Movies of the 50's and 60's. You play the part of Dr. Greg Bradley, a geologist and the new guy in town. Eager to satisfy your scientific mind you set out to examine the crash-site of a mysterious meteor, but what you find is not what you were looking for." (MobyGames)

A group of young Japanese filmmakers decide to shoot a horror film in a mansion with a troubled past. But as they enter the mansion, the horror becomes reality. Strange sounds, dead bodies, monsters and other terrible things haunt the mansion. The young people, guided by the protagonist of the game, called "Camera Man", have no choice but to explore the house and its history, and to find out the answer for all the questions. "The Fear" is an interactive movie in the true sense of the word. Featuring live actors and full-motion video, the game occupies 4 DVDs.

«L’image vidéo projetée sur le mur simule la percée d’une paroi au moyen d’une tronçonneuse. La perception de l’espace réel coïncide en trompe l’œil avec la projection vidéo. La pièce débute par le son de la machine qui se met en route derrière le mur. Puis la lame trace des coupes rectilignes formant un dessin abstrait qui, au fur et à mesure, esquisse un trou oblong. Des morceaux de mur se détachent. On découvre alors « la tronçonneuse » – femme androgyne aux bras tatoués de dessins de pin-up – traversant le mur et qui plonge en avant, tronçonneuse en main. Le bruit de la machine s’amplifie avec l’avancé du percement. Le moment subjectif de la menace d’un film d’horreur est ainsi transposé dans l’espace réel. Le dispositif de l’interactivité trace le spectateur avec la caméra de surveillance dans le but de projeter l’image vidéo en face de lui. Si le visiteur se déplace, l’image le suit instantanément.» (Jouable)

Le spectateur, confronté à un film d'horreur, dois appuyer sur un capteur de pressions pour faire enchaîner les segments du film et par conséquent, l'action du film. S'il enlève sa main, le film recule.