La série des U

Soumis par Yan Rucar le ven, 09/07/2007 - 17:10

Auteur·e·s:

La série des U est un poème cinétique de Philippe Bootz paru initialement dans la revue alire12 de MOTS-VOIR. Sur une musique de Marcel Fremiot, l'internaute voit différentes lettres se combiner pour former des mots et des mots se combiner pour former des phrases, faisant apparaître à l'écran une suite de variations sur la phrase "Elle passe le fil de l'eau". L'internaute peut cliquer sur l'animation pour accélérer le rythme de l'oeuvre.

Infos

Site d'hébergement:

Collection eliterature volume 1

URL du site d'hébergement:

http://collection.eliterature.org/1/

Date de dernière consultation de l'oeuvre:

22 Juin 2007

Groupe de recherche:
Université d'Ottawa

Taxonomies

Discours (notes)

The set of U is a typical example of adaptive generation that illustrates my present approach of e-poetry. It is an association of a combinatory generator of sound and an animation that changes its tempo according to the speed of the machine. So, it is not possible to synchronize the sound and the visual. But the reader has often the impression that the sound is designed for the visual process. This result is obtained by a programmed communication between the visual and the sound that uses programmed meta-rules in order to preserve the perceptive coherence. So, there is no synchronization at all. These meta-rules not only preserve the perceptive coherence, but also create a new kind of non algorithmic combinatory generator by focusing the attention at different moments of the reading of the sentence. In this situation, the sense created by reading can lightly vary from a reading to another. The reader himself makes this combinatory by rereading. So, when we take into account that rereading is a part of the reading of such kinds of works, we can conclude that this work is interactive, not by managing input devices but through meta-rules. Finally, meta-rules are not “technical rules”, but the expression of a complex esthetical intention that lies in programming and can only be perceived by looking at the program. This intentionality is not addressed to the reader but to a “meta-reader”: reading is a limited activity that is unable to give a complete knowing of the work. Let you read to live and meta-read to know! Philippe Bootz

Biographie(s)

Bootz, Philippe

Philippe BOOTZ est agrégé de physique, docteur en physique, docteur en communication, et maître de conférences à Paris 8.
Il est également membre du Laboratoire Paragraphe et du Laboratoire de Musique Informatique de Marseille, et directeur de publication de la revue universitaire Regards Croisés/Crossed Looks.

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La série des U

Bootz, Philippe