Recherche dans la filmographie: Capteur de pression

«March is an interactive installation work. The interface is a steel and aluminum ramp, designed specifically for the project by architect James Cathcart. Where and how viewers walk on this ramp determines the flow of images on three screens: one projected image and two images on large monitors, one on a tower at the top of the ramp and one underfoot. The monitor underfoot shows a map of the virtual and potential image landscape.» (www.grahameweinbren.net)

«L'image rétroprojectée est la vue en ombre chinoise de la main qui s'approche derrière la paroi de papier. L'interaction crée une forme de miroir diptyque. Le spectateur doit appuyer avec un seul doigt sur la fenêtre située à gauche, comme le veut la coutume coréenne, avec un geste attentif et précis. Selon l'endroit et la pression exercée, une image animée est retroprojectée en temps réel sur la fenêtre voisine. Si l'on appuie doucement, l'image fait apparaître un doigt qui fait une petite marque de papier.

«The visitor's proximity, touch, gesture, and movement triggers electronic sensors that produce variable sounds and images. [...] The images are those of a digitally-represented, moving female body, shifting into different «elemental» states of drowning, floating, cowering or shivering.»(Digital Indentity)

«The site of interaction is a doorway covered by a silk scrim, behind which appears the life-size image of an older woman waiting silently with her back to the gallery visitor. This scene of silence and stillness can be transformed by the viewer’s active presence, which initiates motion and response from the ghostly woman. Thus, the nature of the piece is experiential, drawing upon physiological as well as aesthetic or intellectual responses. The artist combines sight and touch in order to address notions of sexuality and desire within the aging body.» (www.oakvillegalleries.com)

«A foot steps on a figure trampling it - it reacts, it moves, and lets out a shout. Various feet cross a space, trampling many figures that break up, raise their voices. Gradually a "choir" is brought to life through the movements of the bodies. In the centre of the space there is a partially unrolled piece of felt, a kind of large carpet - the projected images form a weave that seems to replace the symbols and images found in a traditional carpet decoration.