Two large aluminum panels. On one side, an image; on the other, text. One shows an unhappy Caucasian boy. The other, a smiling young Asian girl and an adult woman.
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In cooperation with Floating Gallery's Festival of Light, Glawson presented two large-scale photographic portraits on Plug In's billboard at River and Osborne. Each portrait suggested the gay/lesbian
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A 43’ high glass and glulam installation marks a public plaza and is visible from the library and all approaches. The glass has an abstracted, lifesize image of a cedar tree. Framed by this sculpture,
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The Wreck:Fascinated by the mysterious wreck of the Lady Era, which washed up on the shores of Port-Cartier over 20 years ago, the artist made it the focal point of this work. Thus, a steel silhouette
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A precise recreation of Toronto’s official nuclear fallout shelter, built in 1962 at the height of Cold War tension, allowed Torontonians to explore the interior of the shelter as it was before it was
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Photo montage that shows historic photos of slaughtered buffalo and handwritten text about the sacredness of that Plains animal even today. The images are assembled into an energetic, modern, graphic
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Artwork integrated into the ceiling that overlooks the main hall staircase. The work also occupies an adjacent wall and a banner beneath the ceiling. Different elements are brought together: supe
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Eight black and white photographs are installed in the upper part of the walls. They represent types of printed material that can be found in a library: a novel, children's fairy tales, comic books, m
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Strip featuring five metallic discs with photographic details (reflection of trees in water, the sky), words borrowed from geographical maps and relief (compass dial).
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Sculptural installation composed of a text box and various three-dimensional objects, either reproduced in silkscreen or carved. In a frame, a document entitled "A false true story" explains the diffe
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