Recherche dans la filmographie: Arts médiatiques

«The work presents a text by the Poet Stéphane Mallarmé - Un coup de dés jamais n'abolira le hasard, Dice Thrown Never Will Annul Chance, and an interactive audio/visual meta-text by Seaman. Large scale projections of both the interface and the visual portion of Seaman's audio/visual work are presented. The piece enables the user to view and listen to Mallarmé's text through the use of a Pen/Wacom tablet interface. When the pen touches on words, they are subsequently spoken.

Il faut aider le Dr. Ariadne Fischer, qui travaille pour un centre de recherche important, à analyser le plus rapidement possible un ensemble de faits. Cependant, des forces extérieures inquiétantes rendent le travail très difficile. Le spectateur, à l'aide d'éléments en lien avec l'alchimie et l'astrologie, doit décoder le «carré magique» et ainsi interpréter le mystère de la «pierre scintillante ». Le Dr Fischer réussira-t-il sa mission ? C'est au spectateur/joueur de le déterminer. http://www.emaf.de/1988/vidlab.html)

Par un beau dimanche après-midi, Adèle attend son fiancé en compagnie de sa grand-mère. Le fiancé d'Adèle est un jeu homme très prometteur, mais malheureusement aussi très maladroit. Il revient donc au spectateur de choisir si l'après-midi sera harmonieux ou chaotique!

«T_Visionarium is an interactive narrative project investigating the exploration of a database of video streams that are recombined through the interaction of viewers, an interaction which allows new emergent narratives to be generated.» (www.icinema.unsw.edu.au)

«A foot steps on a figure trampling it - it reacts, it moves, and lets out a shout. Various feet cross a space, trampling many figures that break up, raise their voices. Gradually a "choir" is brought to life through the movements of the bodies. In the centre of the space there is a partially unrolled piece of felt, a kind of large carpet - the projected images form a weave that seems to replace the symbols and images found in a traditional carpet decoration.

«This video evironment, based on the “battle of San Romano” by Paolo Uccello starts out as a set of pieces that have yet to be put together. It is the eye of the beholder that is free to decide the course the images will take. The two corridors, lined with a series of video-projections lead to a central area, where a truly spectacular setting has been installed. The scene is completed by the projection of a new overview of the battle.

«Documentaire interactif sur quatre personnages du quartier Centre-Sud de Montréal. En s'assoyant, vous déclenchez la rencontre du personnage choisi dans la télévision de la cuisine... Vous avez la possibilité de visionner 40 minutes de vidéo au total.

«Viewers enter a dimly lit room containing a series of steps that face a video projection of a window. A collection of chairs is arranged around the stairs, illuminated with spotlights. When a person walks up the steps and towards the projection, the image of the window becomes larger and it eventually opens. The sounds of the person’s footsteps on the stairs are heard through a sound system, and they become increasingly louder as the person approaches the window.