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Recherche dans la filmographie: Comportement réactif

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Vox Populi

Référence filmographique
Artiste(s)/Concepteur(s): 
RITTER, Don
Année/date de parution: 
2005
«Vox Populi provides anyone with an opportunity to control the masses through public speechs. A video projected crowd of 28 people yells “speech, speech” and encourages visitors to speak from a lectern equipped with a microphone and a teleprompter that displays the text of historical political speeches.

Karaoke Variations

Référence filmographique
Artiste(s)/Concepteur(s): 
BAKIC, Mariina / Jean-Michel Géridan
Année/date de parution: 
2003
«Ce dispositif est un outil de production de vidéo interactive. L’interface du dispositif est un microphone, composant usuel du karaoké. Toutefois, ce qui contraste avec le karaoké original, est le changement de statut du chanteur qui devient spectateur. L’interactivité de l’œuvre se traduit par la reconnaissance de la source sonore, la voix du spectateur, qui se traduit sous forme d’images en temps réel. L’écran présente d’une part, les mains d’un pianiste qui accompagne le chant, et de l’autre, la traduction physique de la voix par un graphique.» (www.jouable.net)

Coro

Référence filmographique
Artiste(s)/Concepteur(s): 
Studio Azzurro
Année/date de parution: 
1995
«A foot steps on a figure trampling it - it reacts, it moves, and lets out a shout. Various feet cross a space, trampling many figures that break up, raise their voices. Gradually a "choir" is brought to life through the movements of the bodies. In the centre of the space there is a partially unrolled piece of felt, a kind of large carpet - the projected images form a weave that seems to replace the symbols and images found in a traditional carpet decoration.

Totale della battaglia

Référence filmographique
Artiste(s)/Concepteur(s): 
Studio Azzurro
Année/date de parution: 
1996
«This video evironment, based on the “battle of San Romano” by Paolo Uccello starts out as a set of pieces that have yet to be put together. It is the eye of the beholder that is free to decide the course the images will take. The two corridors, lined with a series of video-projections lead to a central area, where a truly spectacular setting has been installed. The scene is completed by the projection of a new overview of the battle.

Defenestration

Référence filmographique
Artiste(s)/Concepteur(s): 
RITTER, Don
Année/date de parution: 
Work in progress
«Viewers enter a dimly lit room containing a series of steps that face a video projection of a window. A collection of chairs is arranged around the stairs, illuminated with spotlights. When a person walks up the steps and towards the projection, the image of the window becomes larger and it eventually opens. The sounds of the person’s footsteps on the stairs are heard through a sound system, and they become increasingly louder as the person approaches the window.