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"Edit three of Marky Mark and the Funky Bunch's videos: Good Vibrations, You Gotta Believe, and I need Money. The game is broken up into two separate types of play. In EditChallenge, you must edit the videos according to the tastes of a boxer, a bunch of guys, a group of girls, or a couple of parents. Each of the four sets of characters has distinct ideas about what to expect in a video. The U-Direct mode, which is just for fun and has no time limit or competitive aspect, is more open in terms of creativity; you focus solely on creating the video you want to see and hear." (All Game Guide)

"Welcome to Zhadnost the "Most popular game on Bizzarnian state run television"! Bizzarnia, a small communist nation has kidnapped contestants for this its favourite game show and is playing them against each other to compete for their freedom.
In this party game for two to four people you will be in near constant action. You will play mini-games with such names as Propaganda, and Eye Spy. Try to force your opponents into harder games and uncover secrets about their characters. All characters are live action including the host." (MobyGames)

"The year is 1799, and you play a United States Navy officer sent on a mission to retrieve the U.S.S. Golden Dolphin from pirate hands. You must find clues regarding the ship's whereabouts and infiltrate it as a sailor, as well as find a way to take it out of the pirate's control -- all while the French and U.S. navys are duking it out in the West Indies." (MobyGames)

The main game requires players to answer fast-paced quiz questions in a variety of topics. Most segments also require players to "get to know" the women on screen, and wager on how well they will answer questions or perform physical challenges, such as jumping rope or hula-hooping. A variation of the popular, rank-driven card game "President" (usually played as a drinking game) is also integrated into The Guy Game.

"Connections is based on the TV show on The Learning Channel, which traces human political, cultural, religious and social history as a chain, linked by technological discoveries or inventions. In the game, there is a computer program you must fix, by finding connections that bind its world together." (MobyGames)

En entrant dans la salle, le spectateur peut observer, sur un écran, une personne (plus précisément une bouche) qui retient son souffle. En marchant sur le matelas blanc qui se trouve devant l'écran ou en expirant dans un tube de métal, le visiteur permet au personnage virtuel de respirer.

«Filming took place daily between 10 AM and 2 PM to minimize lighting discrepancies. The camera car carefully drove down the center of the street for registered match-cuts. In addition to the basic "travel" footage, panoramic camera experiments, thousands of still frames, audio, and data were collected.»
(www.naimark.net) Ainsi, par l'entremise d'un écran tactile, il est possible de créer notre propre trajet dans les rues d'Aspen.

«ILLUSIO (2006) est un système interactif où les visiteurs activent différents stades émotionnels d’un personnage virtuel. L’installation explore la situation d’être pris par l’ombre de son propre environnement. Une bataille s’ensuit lorsque les visiteurs approchent et regardent à travers l’environnement du personnage représenté par une structure de plexiglas perforée. Basé sur la location et le déplacement du visiteur, le personnage Illusio répond et interagit de 18 différentes façons à travers trois modes de communication. Cet environnement immersif porte réflexion sur les différents conflits illusoires des perceptions collectives.» (www.philox.net)

«En ouvrant les tiroirs de cette petite commode, le spectateur exerce son montage, sa lecture et ses associations d’idées. Il comprend que la position des tiroirs détermine l’apparition des images et des sons comme le sens et la vitesse de lecture.»
(www.ciren.org)

«Le spectateur-acteur est invité à regarder un ensemble de prises de vues interactives, au travers de son exploration, il peut se laisser dériver par les bifurcations proposées. Cet environnement, par ses qualités temporelles, spatiales et narratives, lui fait progressivement prendre conscience que d’autres dimensions participent à son exploration : ses choix, ses oublis ou ses réminiscences, ou encore les «cartes» que, mentalement, il se crée pour se repérer dans ces lieux…» (gwenolaw.free.fr)