Recherche dans la filmographie: Désincarné

«When the viewer approaches, they hear audio of rumba music and verbal instructions for learning the footwork for this particular dance. The video screen remains blank until the installation is activated by the viewer turning on the vibrating belt massager. They may choose to step into the exerciser and strap the belt around their hips in the process, or they may simply switch it on, leaving the belt to twist and vibrate in the air. When the exerciser is switched off, the video playback stops while the audio continues.» (vacuumwoman.com)

«Hyperfiction narrative, The Good Cook a pour base la longue nuit d'insomnie d'un cuisinier. Organisée de façon aléatoire, l'histoire se termine néanmoins à 5 heures du matin, quand, enfin, il s'endort.» (www.olats.org)

«Mélanie is a fifteen year-old of the memoriam She steals her mother’s Meteor every chance she gets and drives away from her mother’s lover Lorna and towards the dawn. »

«[...]The Onyx Project which stars Academy Award nominee David Strathairn as Colonel Robert Henderson, a man and a military officer stationed in Afghanistan who wants -- no needs -- to tell his story about why, on the eve of the 2004 US presidential election, he launched an illegal, unauthorized and ultimately disastrous mission into Pakistan. As viewers browse their way through Henderson's world, they learn -- they experience -- that Henderson's testimony is not about right versus left. It's about right versus wrong.» (www.douglasksmith.com)

«Puppet Motel est un endroit sombre où habitent des marionnettes et d'autres créatures. Le Motel comprend 33 pièces. L'atmosphère qui y règne fait penser au roman noir américain new-yorkais, à la BD polar ou à un rêve. L'utilisateur est amené à explorer cet espace. Il se déplace d'une pièce à l'autre, dans un véritable labyrinthe, avançant à tâtons à la recherche d'une issue, ou plutôt d'un événement, d'une action, tout simplement.

«The central element in Silicon Remembers Carbon is a large video image projected down onto a bed of sand on the floor of the installation space. Visitors' movements subtly affect the mixing and dissolving of video images and sounds. Each visitor leaves traces which affect the experience of the work for later visitors.

«Skies provides viewers with an interactive experience of the environments of nature. Visitors encounter a large dark room containing two video projections of a night sky, one on the floor and one on the back wall. Visitors can walk around the imagery or directly onto it. When visitors walk onto the video projection, black paths appear under their feet at specific locations. As the 5 hidden paths are discovered by multiple viewers, the imagery and sound transform according to the specific paths discovered.

«Upon entering the semi-dark installation space, the viewer encounters a video image of a dancer, a young black woman, which is projected life size. A pedestal base lit by a spotlight, stands in the centre of the gallery. On the pedestal base is the interface for the installation, a computer mouse. In a semi-circle, between the pedestal base and the projected image, are a total of six small (6" diagonal) colour monitors. When the viewer enters the installation space, these monitors are black.» (www.vacuumwoman.com)

«Four video displays are attached to the walls of a wide corridor, two on each wall. As the spectator enters the corridor the corridor she sees white screens. As she moves down the corridor images appear on the screen; she sees the head and shoulders of a man walking past. The same man appears on all of the monitors at different intervals. The frequency of the man passing on the screens is increased as the movement of the spectator(s) in the corridor increases. As the corridor fills up with people, the screens ‘fill up’ with images of the man passing.»
(www.er.uqam.ca)